A retrospective of popular music from the 1890s and the turn of the century, with words for the audience to join in.

A cinematic meeting point between nature and technology, Doug Aitken’s unearthly short is enfolded in evocative hymns whose voices are eerily AI-generated. Glimmering phone screens might have replaced the starry Milky Way, yet the famous Venice Beach still hums with the vibrancy of human activities.

During a game of catch-the-boy-and-kiss-him, Emmy, a precocious ten-year-old, kisses another little girl, Alice.

The life of two characters who follow each other beyond the walls.

A romantic drama about two couples shifting sexual dynamics over one night in a music bar.

A teenager's quest for a new look leads to a new personality. Music by Suicide, The Andrew Sisters, James White & The Blacks, Los Microwaves.

Im a big fan of Ryan Gosling. He is a great actor and man.

Deep in Hellfest, gigantic metal festival, music gradually takes possession of metalheads.

Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.