Don King

Victoria Sellers

Kenny Ostin

Michael Agabian

James Allport

A series of interviews are conducted concerning people's beliefs towards the possibility of an afterlife. The interviews are filmed against a set of strange backdrops, and are intercut with clips from classic films and a variety of stock footage.

Harmonies de Paris, restored by the Cinémathèque Française in the 1990s, was shot entirely on panchromatic film and was meant to be a documentary tour of Paris in thirteen thematic chapters. The subject is a tourist group arriving in the French capital by airplane, which explains the many shots of monuments and other canonical places.

Jakub presents an extensive ethnographical-sociological study of the life of the Ruthenians, filmed in the Maramuresh mountains in the north of Romania and in the former Sudetenland in Western Bohemia. The film was made over a period of five years during the time of both totalitarian regimes and was completed in 1992 after the revolution.

Mercedes, an elder healer, keeps alive the tradition of healing the “Evil Eye” while facing the fear of social judgment in a community that has lost its faith.

Maria Iliou documents the ethnic cleansing and violent expulsion of Greeks from the Ottoman Empire. In the first compulsory "exchange of populations" in the modern world, 1.2 million Greek Orthodox and 400,000 Muslims were forcibly relocated from Turkey to Greece and Greece to Turkey respectively.

A feature-length documentary on Yvonne Bezerra de Mello, award-winning artist and human-rights activist who has gained international recognition for her work with street children in Rio. The film recounts how a woman turned her back on a wealthy lifestyle, driven into action by the execution of 8 streetkids by military police in 1993. In subsequent years Yvonne's struggle to better the lives of endangered and abandoned children has led her to found "Projeto Uere" ("Children of Light") a radical project committed to protection and education of kids who live in the streets and slums of Rio which has brought her into conflict with Brazil's wealthy elite.

While working at Uruguay's largest prison construction site, Miguel is leading a double life. When he realizes that he has become a prisoner of his own lies, Miguel struggles to find the courage to disclose the truth to his loved ones.

In this segment on immigrant cultures for the television program Mosaïque, a young Senegalese woman who cooks in a workers’ hostel dreams of traveling throughout France and getting to know her adopted country, taking issue with the cliché of the impoverished and helpless immigrant.