Erin Blackwell

Dewayne Pomeroy

Roberta Joseph Hayes

Lulu Couch

Reed Early

This documentary about teenagers living on the streets in Seattle began as a magazine article. The film follows nine teenagers who discuss how they live by panhandling, prostitution, and petty theft.

A short documentary about a homeless couple who face the ban on being on the street during 2020 quarantine. Just through their eyes, the two protagonists show us a different Milan, silent and suspended.

Razing the Bar documents the development and eventual demolition of a well-loved fringe punk rock Seattle venue through interviews of employees, friends, and a multitude of local musicians.

With unprecedented access to the team, we go on a journey of redemption. Set against the backdrop of the rise of soccer in America, the film captures the beauty of the game as never before. But the heart of the movie is the examination of the people who come from all over the world to pursue a goal together. Each brings his own talents,but also his own indelible childhood experiences and family dynamics, which allows us to explore our own.

On 12 June 2000, in Rio de Janeiro, Ônibus 174 was taken by an armed young man, threatening to kill all the passengers. Transmitted live on all national networks, this shocking and tragic event became one of violence's most shocking portraits, and one of the most terrifying examples of police incompetence and abuse in recent years.

The city you experience everyday. Into the mind of a homeless man who shares the lack of help he got while being on the streets.

In an unfair country women work day and night far from home while their children learn to survive between loneliness and emptiness. They grow to become teenagers, locked down in one of many low income neighborhoods made up of identical small houses, outlined by overcrowding and scarcity. Their mothers, mostly workers in transnational factories, go in and out in buses that take them to a work place where they carry out twelve hour shifts two hours away from home, while their children muddle through their upbringing in tiny houses of 40 square meters. In spite of everything, they look for a way to move ahead and chase their illusions. This is a story full of youthful aspirations set in a context of difficulties and shortages.

Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.

A child who just loved to skate from the age of eight, Poppy Starr Olsen became the number one female bowl skater in Australia at 14 and went on to take out bronze at the XGames at 17 - the ultimate competition in the world of skateboarding. The same year, skateboarding was announced as an official additional sport category at the Tokyo 2020 Olympics. Now faced with the opportunity to represent Australia on the world stage Poppy grapples with the transition from skater to athlete and the pressure of competition mounts in a way it has never done before.