Gigi Darlene

Charles E. Mazin

Sam Stewart

Gertrude Cross

Alan Feinstein

On the run after dispatching her rapist, homemaker Ellen flees to the Big City, where further misfortunes befall her. When she finally finds stability, she discovers that her landlady's son is a detective, threatening her newfound identity and peace of mind.

A look inside a tragedy through the eyes of a survivor. Based on actual events, April Showers is about picking up the pieces in the direct aftermath of school violence

Wes is awakened in the middle of the night by an unexpected phone call. It’s Alison, the girl who could have been, who is flying home to Tokyo in the morning and wants to come by for a night of reminiscing before she goes.

A small-town beauty queen and an unlicensed mortician set out across the Texas plains on a journey of self-discovery.

An attractive young couple's open relationship is stretched to the breaking point when each partner finds themselves falling in love with other people.

College student Charlie Banks has to face old problems when the bully he had an unpleasant encounter with back in high school shows up on his campus.

Paloma is a serious and highly articulate but deeply bored 11-year-old who has decided to kill herself on her 12th birthday. Fascinated by art and philosophy, she questions and documents her life and immediate circle, drawing trenchant and often hilarious observations on the world around her. But as her appointment with death approaches, Paloma finally meets some kindred spirits in her building's grumpy janitor and an enigmatic, elegant neighbor, both of whom inspire Paloma to question her rather pessimistic outlook on life.

Phyllis is a moving and atmospheric portrait of a ‘psychic’ vampire, a woman obsessed with synthetic Nollywood dramas, that lives alone in Lagos, Nigeria. The central idea of this short experimental film is the practise and significance of wig-wearing in Nollywood film; a practise the director has invested with deeper psychological as well as science-fiction layers. Underpinning this central idea however is a critique of the unforgiving treatment of single women in Nollywood and Nigeria. The film is an example of what the director, Zina Saro-Wiwa, has termed “alt-Nollywood”, a genre that plays with and reworks certain narrative, stylistic and visual conventions of Nollywood. Phyllis explores the gothic possibilities of the Nollywood aesthetic creating a new kind of low-budget atmospheric film that is very much of Nollywood and yet subverts the genre. Using Nollywood to subvert Nollywood.

Leader of the Celestial Devil Gang Mo Fu ends an underling to infiltrate the house of code expert Cheung Yuet-ting in pursuit of the Mafia's secret intelligence. The unyielding man is killed, and the Mafia is framed for the crime. Cheung's instrumental role in the Mafia is succeeded by his daughter Oi-lan, who leads both gangs onto a deadly chase. Just then, Oi-lan's bosom friend Chan Yu-lam emerges from years of oblivion as a Mafia member and offers the wanted woman protection and assistance in retrieving the late father's cache. Mo's underling Lau Kei-fung is assigned the task of playing the confidence game in the Cheung household, preempting Oi-lan from accessing the classified information and abducting both Oi-lan and Chan before the Mafia can reach the key witness. Acting on a tip-off, the police raid the apartment and arrest both gangs. Chan, the undercover police officer, gains both Oi-lan's trust and affection. (Synopsis based on audiovisual materials)