Edward Binns

Carolyn Craig

Virginia Gregg

Lawrence Dobkin

Frank Gorshin

The owner of a tavern is pressured by the local mob to go into business with them, and figures it's better all around if he does that rather than cause trouble. However, when he starts to see what kind of place his nice little neighborhood bar is turning into, and when one of the mob's goons tries to rape his daughter, he decides to fight them.

Magdalen is a tavern Scheherazade, a prostitute who sells stories in a seedy Philadelphia dive bar.  Her clients include Mr. Jones, an angry black businessman who wants to hear the same graphic, sexual fantasy every night; Jace, a droll, Mishima-loving slacker/writer looking for an ending to his novel; Phil, a precocious skater-boy who wants to understand his dead father; and Edward, a shy 53-year-old virgin looking for love. Alix D. Smith is Magdalen McElhinney, a tough, brainy femme noir, whose name suggests that the film's director is the father she talks about  obsessively. Littered with literary and cinematic allusions, the film's narrators make Magdalen part Warholian confessional and part Brechtian taproom comedy.

A former thief driving through a small town is coerced into stealing a valuable statue but finds himself in hot water after he's accused of murder.

A noir tale of death and the turmoil that ensues between two private eyes thereafter.

A priceless tablet of Gilgamesh, the oldest and most important work of literature is stolen from a museum. A security guard vows to do whatever it takes to get it back from a group of smugglers. Along the way, he faces his own inner demons.

Ayush suffers from sleep paralysis and dark hallucinations, haunted by shadowy figures that represent his repressed fears. Trapped between dream and reality, he confronts these manifestations of his inner turmoil.

At dawn, as darkness falls, the organization boss Lee Donghwi and his subordinate, Karina begin a deal. They face each other on the top floor in a breathtaking atmosphere. Will Karina be able to suppress her boss and get to the position she wants?

LATE NIGHT (2018) is a contemporary neo-noir short film depicting a single night and morning in the life of a first-time contract killer. With virtually no dialogue, it aims to visually illustrate and probe themes of conscience, greed, guilt, and the interplay between fate and circumstance.

Pursued by a relentless presence, The Woman must confront the mystery behind The Shadow's unyielding chase.