This black-and-white film is a loving portrait of Santiago de Cuba and its people. It provides a view of Cuba as a picturesque country, the product of an earthy mix of black and criollo cultures. The film uses historical images which portray the end of the eighteenth century when Haitian slave owners fled with their slaves to Cuba after the Haitian Revolution.

Ana Deborah Mola and Belkis Lescaille were among the first young teachers who started pilot programs around the island of Cuba in 1960, laying foundation for the massive National Literacy Campaign that would take place the following year.

When the U.S. trade embargo left Cuba isolated from medical resources, Cuban scientists were forced to get creative. Now they've developed lung cancer vaccines that show so much promise, some Americans are defying the embargo and traveling to Cuba for treatment. In an unprecedented move, Cuban researchers are working with U.S. partners to make the medicines more widely available.

Repainting Cuba takes a critical look at communist Cuba, where both the facades and the aging regime were given a coating of colorful paint in connection with the 50 year anniversary of the revolution. Two young Cubans under house arrest talk about being imprisoned for dealing with foreign tourists in a society where gossip and backstabbing is endemic, and where the heavy varnish can’t conceal the cracks.

The notion of a Cuban civil society is often misrepresented in the U.S. mainstream media. According to most sources, Cuban civil society is limited to the opposition, which has little impact on the Cuban political scenario. Regardless, yearly, the U.S. government allocates tens of millions of taxpayer money to empower dissidents in the island. By doing so, it overlooks genuine expressions of pluralism, reform and contestation which are shaping the Cuban public sphere, sometimes in autonomous ways, sometimes within State-run institutions. Through in-depth interviews to members of Cuban Civil society, this documentary explores the complexities associated to these processes, following the itinerary of the debate about the concept of civil society generated in Cuba, since the 90s to the present.

The short film captures the tireless battle of Namibia Flores Rodriguez, the only known female boxer in the Caribbean nation. Training at Havana’s Rafael Trejo arena in defiance of the ban, the athlete undertakes the same unrelenting regime as her male counterparts—running the same circuits, lifting the same truck tires—but without the hope that she might one day represent her country.