Nagisa Ōshima

The story of the first century of Japanese cinema from the point of view of the controversial Japanese filmmaker Nagisa Ōshima.

This is the story of my grandfather, Tiago Florit, who for 50 years was a film operator at the Teatre Principal de Maó, in Menorca. It is a review of his life, from his birth to his death, in a cinematographic key. A true love story to cinema.

A lyrical and nostalgic analysis of how Casablanca, the mythical film directed by Michael Curtiz in 1942, has influenced both film history and pop culture.

Hawaii, May 1977. After the success of Star Wars, George Lucas and Steven Spielberg meet to find a new project to work on together, the former as producer, the latter as director. The story of how the charismatic archaeologist Indiana Jones was born and how his first adventure, released in 1981, triumphed at box offices around the world.

In Spain, on May 11, 1896, at the Price circus, the first moving images ever shown in the country are projected. From that event, the Spanish actor Antonio Resines intends to compile a series of anecdotes to shape the amazing history of Spanish cinema, holding several conversations with prominent figures of the Spanish film industry.

An experiment and a dialogue about recording, the act of filming and the colors available to whoever points the camera somewhere.

Rai, a frustrated student and part-time labourer, is wandering home after setting up a museum exhibition on the classic novel "The Tale of Genji". There is a blinding flash of light and he finds himself mysteriously time-slipped into the Heian period, the setting for the famous novel. Armed with a pamphlet on the history of the period and a bottle of headache tablets he passes as an onmyoji (magical protector of the capital) and is hired by the emperor’s wife Nyogo Kokiden. Fearless and coldly analytical she plots to have her son take over the Emperor’s position. Rai is expected to help. This light-hearted historical fantasy is a treat for lovers of sumptuous kimono.

A tribute to a fascinating film shot by Alfred Hitchcock in 1958, starring James Stewart and Kim Novak, and to the city of San Francisco, California, where the magic was created; but also a challenge: how to pay homage to a masterpiece without using its footage; how to do it simply by gathering images from various sources, all of them haunted by the curse of a mysterious green fog that seems to cause irrepressible vertigo…

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on.  Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.