David Lynch

Angelo Badalamenti

Jack Nance

Patricia Arquette

Balthazar Getty

An in-depth look at artist/filmmaker David Lynch's movies, paintings, drawings, photographs, and various other works of art. Features interview footage and commentary by family members, friends, fans, and people he's worked with, as well as behind-the-scenes antics of some of his most critically praised efforts.

A short documentary chronicling the liquor-drenched final night of A Grand Mockery (2024)'s theatrical run in New York.

Welcome to the funbubble! Over 2 hours of bizarre entertainment. Meet Shaye Saint John, former supermodel who now has no arms or legs and her special friend Kiki (a burnt doll). This series of shorts documents the daily collision of Shaye's glamorous fantasies with the realities of the physical limitations of her everyday life. These films with their juxtaposition of child-like imagery can be genuinely disturbing without a hint of blood, violence, nudity, cursing, or off-color subject matter of any sort. Watching Shaye do her schtick is akin to watching a segment of one of John Waters' early flicks. There is no question about the fine line between maddness and genius here -- it's madness, plain and simple, dizzying in its detachment to reality. Depending on your outlook, Shaye Saint John is either a true testimony to the power of art to rise above adversity or these films are hidden footage from a ward for the criminally insane!

A day in the life of Mr. Istvan and Ms. Magdi, neighbors for many years, is narrated by the building of Budapest where both live. The walls surrounding them reveal their small passions, stories and routines.

Documentary following the history of America's first cinematographers.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

The point of departure for this film is the 1981 composition De Tijd by Dutch composer Louis Andriessen. Van der Keuken leaves the music undisturbed as an autonomous soundtrack and has the images engage in a sort of battle with it. These images are associations, fragments of events, scenes and situations. The film is preceded by a text by Bert Schierbeek.

Director Agnès Varda and photographer/muralist JR journey through rural France and form an unlikely friendship.