Maya Deren

John Cage

Parker Tyler

Alexander Hammid

Hella Hammid

A woman washes up on a beach and embarks on a surreal journey, encountering others and fragmented versions of herself in a quest for identity.

Two strangers wake up in a mysterious white room with no way out or memory of their past. The two must unravel their identity while navigating a corporate metaverse that controls virtually every aspect of its employees’ online reality. A story about finding yourself.

Phyllis is a moving and atmospheric portrait of a ‘psychic’ vampire, a woman obsessed with synthetic Nollywood dramas, that lives alone in Lagos, Nigeria. The central idea of this short experimental film is the practise and significance of wig-wearing in Nollywood film; a practise the director has invested with deeper psychological as well as science-fiction layers. Underpinning this central idea however is a critique of the unforgiving treatment of single women in Nollywood and Nigeria. The film is an example of what the director, Zina Saro-Wiwa, has termed “alt-Nollywood”, a genre that plays with and reworks certain narrative, stylistic and visual conventions of Nollywood. Phyllis explores the gothic possibilities of the Nollywood aesthetic creating a new kind of low-budget atmospheric film that is very much of Nollywood and yet subverts the genre. Using Nollywood to subvert Nollywood.

When two brothers steal a valuable heirloom from an elderly Japanese woman, they unknowingly awaken her demigod son, Osaru, who does not take kindly to thieves.

The events in the film take place in a remote place, far from the modern city and civilization, where the real and the unreal worlds meet. There, mysticism and reality are so intertwined that all kinds of miracles are expected. The people there live by their own unwritten laws. The punishments given to those who violate them are also completely different.

Three archetypal woodland spirits explore the conflicting human drives of creativity, possessiveness and our desire for status.

In a loose retelling of the Revolutionary Girl Utena TV series, Utena Tenjou arrives at Ohtori Academy, only to be immediately swept up in a series of duels for the hand of her classmate Anthy Himemiya and the power she supposedly holds. At the same time, Utena reunites with Touga Kiryuu, a friend from her childhood who seems to know the secrets behind the duels. Utena must discover those secrets for herself, before the power that rules Ohtori claims her and her friends, new and old.

Incapable of falling asleep, Mamadou starts to walk endlessly to tire himself and be able to have a final dream of where he was born.

A young, unbelieving couple is being pursued by a terrifying monster. They try to hide in a church, where they meet a priest who seems friendly at first glance, but it soon becomes clear that the priest has less than honorable plans for them. They are trapped.