Gust Alexander

Lauren Baldwin

Paul Bunnell

Tony Cicchetti

Bill Devlin

The God Complex is an irreverent, ultra‑low‑budget biblical satire that deliberately mocks well‑known stories from the Bible, turning God and key figures into broad comic caricatures. Rather than treating Scripture with any reverence, the film uses parody, crude humor, and exaggerated “logical” twists specifically to ridicule Christian beliefs and present the Bible’s narratives as silly and absurd.

On the way to meet with an independent artist in the South, newlywed art dealer Madeleine is convinced by her husband, George, that they should stop to meet his family in North Carolina. Madeleine's affluent lifestyle clashes with the family, but she befriends George's wide-eyed and pregnant sister-in-law, Ashley, who is nearing her due date. Through the family, Madeleine gains greater insight into George's character.

The sinister Dr. Watt has an evil scheme going—he's kidnapping beautiful young women and turning them into mannequins to sell to local stores. Fortunately for him, Detective Sergeant Bung is on the case, and he doesn't have a clue!

Amidst the French revolution, Citizen Robespierre is beheading the aristocracy! When word gets to England, noblemen Sir Rodney Ffing and Lord Darcy Pue take it upon themselves to aid their French counterparts. Sir Rodney is a master of disguise, and becomes 'The Black Fingernail' scourge of Camembert and Bidet, leaders of the French secret police.

Stodge City is in the grip of the Rumpo Kid and his gang. Mistaken identity again takes a hand as a 'sanitary engineer' named Marshal P. Knutt is mistaken for a law marshal. Being the conscientious sort, Marshal tries to help the town get rid of Rumpo, and a showdown is inevitable. Marshal has two aids—revenge-seeking Annie Oakley and his sanitary expertise.

Two Britons—inventor Hengist Pod, and Horse, a brave and cunning fighter—are captured and enslaved by invading Romans and taken to Rome. One of their first encounters in Rome leaves Hengist being mistaken for a fighter, and gets drafted into the Royal Guard to protect Julius Caesar.

Centered on a television station which features a 1950s-style sci-fi movie interspersed with a series of wild commercials, wacky shorts and weird specials, this lampoon of contemporary life and pop culture skewers some of the silliest spectacles ever created in the name of entertainment.

The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.