While we watch the ‘cat fail’ of the day in cheerful safety, all that remains invisible in this neoliberal nightmare catches up with us. The cat’s body is consumed, exploited and controlled. The fear of pain is greater than the will for freedom. Objects are fetishized and subjects are made into things – quantifiable and ready for use. They are the natural commodity for a luxury they are not even aware of. We are here, because you were there – and waste is disposed of in the sea. In the end, the bodies reveal the causes and effects of power, lust and hate.

Fabulous animals bathed, rested and had fun on the summer beach of the southern town. Suddenly, the rest was interrupted by an urgent message on a hanging poster: "Everyone needs to vaccinate vaccinations from elephant to fly!". However, all the animals, having read the message, as if nothing had happened, began to rest, dance and sunbathe again. And only Behemoth, worried, began to ask everyone how scary and painful it was to vaccinate.

According to the fairy tale of the same name, how the little sparrow Pashka, as a token of gratitude to his mistress, the girl Masha, fearlessly enters the crow's dwelling in order to return the girl's father's gift stolen by the crow.

Wendy Tilby's Tables of Content was her graduation film from the Emily Carr College of Art and Design, Vancouver in 1986. The movie transports one into another era, an earlier age of gentility and reticence, set in a rather stuffy restaurant during the day.

Gale, disheartened pastry chef struggling with burnout, reaches her breaking point one morning during the daily work grind alone.

A stop-motion puppet animation adaptation of Hans Christian Anderson's tale The Ugly Duckling.

Animated hijinks of a man whose car just will not start, no matter what he does.

The strong bond between two Royal Egyptian brothers is challenged when their chosen responsibilities set them at odds, with extraordinary consequences.