Documentary in which President Musharraf explores the different worlds and influences on political life in Pakistan at a dinner in his official residence, the Army House. Labourers and intellectuals, journalists and industrialists add to the debate, as the role that a military leader can play in guiding a state towards modern democracy is questioned. (Storyville)

From his days of testifying at the Watergate hearings to advising recent presidential candidate Donald Trump, Roger Stone has long offended people on both sides of the political fence as a force in conservative America. Outspoken author, pundit, ahead of his time election strategist, this is his story.

Over half a century of public service, Valéry Giscard d'Estaing embodied the dream of a united and strong Europe. From the youthful enthusiasm of the 1950s to the disillusionment of the 2005 referendum, his career chronicles an ideal confronted with the realities of power, national resistance, and populist winds. He tirelessly attempted to realize his youthful dream: a United States of Europe.

Documenting the lead up to the Swiss popular initiatives in 1989 to abolish the military, the first such popular vote in history. Showing events organized by the military, political discussions and a play adapting a novel by Max Frisch, treating the issue.

A short documentary about the October 14 1979 March For Lesbian And Gay Rights in Washington D.C.

In their feature film debut, CARTERLAND, the Pattiz Brothers examine the tragic, yet inspiring story of America's most misunderstood president. While leading the nation through a series of unprecedented crises, Jimmy Carter also confronted climate change and championed social justice at home and abroad. This groundbreaking film draws on archival footage, experts, and insiders to reveal how Carter's selfless leadership and moral integrity ultimately cost him the presidency.

In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min