Anthony Wong

Michelle Wai Si-Nga

Jojo Goh

Ikki Funaki

Bryant Mak Chi-Lok

In 1990, Neurologist Lam Sik Ka and his former flame suffer from the generational sleep curse that rooted in their both families war engagement during World War Two. Lam tries to save her flame from the grudge.

A family gathers for a happy reunion and marriage announcement on Christmas Day at an isolated mansion in the Philippine mountains only to encounter a series of bizarre, demonic, and tragic events.

A young American woman moves to a large countryside villa with her newlywed Italian husband. Soon enough, strange and seemingly supernatural events begin to befall the property, as a black-gloved killer simultaneously picks up and murders prostitutes.

A scheming secretary uses black magic and voodoo to try to murder her lawyer boss so she can get her hands on the woman’s boyfriend. There are living vines, a bathtub drowning and a quicksand bog in this shot-on-video W.A.V.E. production.

A French nobleman deserts his wife because of an ancient family secret.

After Janie accidentally murders her husband during disputed infidelity over a stripper, her husband's brother introduces her to an Aztec spell that resurrects him from the dead; Unfortunately, he returns to take revenge.

Abril, a woman with constant nightmares, ends up breaking the ties of reality and finds herself facing a true entity.

Produced by Cathay-Keris, this omnibus of three stories (with different directors) was adapted from mystery tales featuring Detective Inspector Latiff (S. Roomai Noor), a character created Pelham Groom, a former British officer and genre writer who settled in Singapore. Latiff’s ‘Watson’ is a female Chinese forensic doctor (Mary Lim), and the first story 'Mud on Her Shoes' hinges on the romance between an English expat and a Malay woman. The second story is the titular 'Hantu Rimau'. The third tale ’Double Knock Out’, heralded as the first depiction of a local boxing match, was shot in Happy World (later renamed Gay World), one of the night-life amusement parks known as the ‘Worlds’.  'Mud on Her Shoes' directed by L. Krishnan, 'Hantu Rimau' directed by B.N. Rao, 'Double Knock Out' directed by S. Roomai Noor

Set in a Medieval town, the film has a theatrical quality, as the behaviours and actions of the characters are exaggerated almost to the point of satire. Nevertheless, its relatively dark and heavy plot yields over-the-top expressions from the actors. There is little dialogue as the story opens: a mother is seen tending to her sick daughter, whom she is then told must be sacrificed to the forest. The viewers patiently but curiously watch the mother perform healing rituals with objects like egg shells, dried plants and twigs–also recurring in the installation–until the daughter mysteriously disappears.