Oliver Kochta-Kalleinen

Eric Lamparter

In this blackly comic and brilliantly concise short, a man wanders at the foot of the Swiss Alps—until, like Alice, his attention is attracted by a white rabbit.

“Together” follows a quiet young man who finds comfort in the gentle rituals of a café, where love blooms in silence and familiarity. In the warmth of repeated moments, he holds on to a presence that feels real, even if the world around him never sees it. It’s a tender story of longing, memory, and the kind of love that lives deeply inside — whether shared or not.

On the last day of college, three lives quietly collide with memories, choices, and unspoken feelings. Hope is a poetic reflection on timing, love, and the moments that could have changed everything.  Hope follows three hearts bound by silence, longing, and what remains unsaid. A gentle story about love, timing, and the fragile beauty of unanswered emotions.

A woman prepares a delicious banquet for a dinner party.

In the heat of a summer day, a cop pursues a suspect in a chase. The fugitive disappears in front of an apartment building, and the chaser knocks on a door. The cop barbarously searches the apartment occupied by a beautiful graduate student, just to find nothing. He returns to the police precinct and reviews the records on the rape suspect. Learning that the girl and the suspect are related, the cop starts stalking her. He was looking for his suspect, but he found something entirely unexpected. Could this be the beginning of a genuine relationship?

A woman wakes up hanging upside down. When she screams for help, a phone rings and a voice helps her escape.

A mysterious set of circumstances transpire.

“And, 'twixt the shadows and frights of nocturnal splendors, My beloved will secretly be hiding. Say what you will, say what you may.”  The sound of a distant whistle and theorbo calls a sleeping singer through the empty streets of Stuttgart in a midnight journey to the opera house. ‘dei notturni splendori’ is an experimental opera film made for the Staatsoper Stuttgart in the early months of the Coronavirus pandemic lockdown.  Anderson Matthew captures the singer Helene Schneiderman through a midnight dream with a hand-cranked kino camera in an ecstatic 35mm photo roman, in search for her own performance of the Tarquinio Merula madrigal Folle é ben chi se crede from 1638.