Rogvold Sukhoverko

Vsevolod Abdulov

An American family stays overnight at a mansion run by a mysterious woman, but not all is as it seems and the eldest child uncovers the mystery behind the mansions hauntings.

Sveta and Maxim, a happy newlyweds, are moving to their hew apartment only to discover that there is something mysterious and wrong about their new building.

The adventures of a boy and his dinosaur-ship.

Moa is swiping on Tinder in the subway when she matches with Victor.

Following a fatal history of severe maternal domestic abuse, the discarnate spirit of a young twin navigates the afterlife in a desperate search for her separated sister, uncovering a clandestine metaphysical conspiracy designed to obscure the truth of their deaths.

Targeted by Santet Getih Ireng—a dark curse aimed at destroying their bloodline through endless miscarriages—a desperate married couple must unearth the dark origins of the ritual and break the black magic before it consumes their last chance at a family.

In a haunting encounter, the film captures our fragmented perception of time during the pandemic while exploring the dynamics of mutual support. We are made aware of earthly transience (mono no aware) in a time when the Earth seems to stand still. Before We Collide is a short film shot on a Nishika N8000 analog lenticular camera consisting of over 800 photographs pieced together. The film does not give the impression that it is made for me, you, or anyone for that matter. It simply exists as an artefact that can be witnessed, like found footage of a ghostly apparition.