Maksim Shtraukh

Grigori Aleksandrov

Mikhail Gomorov

Ivan Klyukvin

Aleksandr Antonov

Workers in a factory in pre-revolutionary Russia go on strike and are met by violent suppression.

Left penniless by her vengeful ex-husband, Madeline is forced to become a pickpocket to pay for a new wardrobe. One of her victims is a Mr. Finlay, who threatens to turn her over to the police -- until he hears Madeline's woeful tale of her cruel, possessive husband.

In 1921 Dublin, the IRA battles the "Black & Tans," special British forces given to harsh measures. Irish-American medical student Kerry O'Shea hopes to stay aloof, but saving a wounded friend gets him outlawed, and inexorably drawn into the rebel organization by his former professor Sean Lenihan, who has "shaken hands with the devil" and begun to think of fighting as an end in itself. Complications arise when Kerry falls for a beautiful English hostage, and the British offer a peace treaty that is not enough to satisfy Lenihan.

In Glasgow, Scotland, while a mysterious pandemic begins to spread around the world, Susan, a brilliant epidemiologist, falls in love with Michael, a skillful cook.

Anna and Joe are newly married, playful and deeply in love. Joe is scraping by as cab driver in New York City during a period of corruption, mob control and violence between cab companies.

After capturing an illegal act of police violence on his cellphone, a Brooklyn street hustler sets off a series of events that alter the lives of a local police officer and a star high-school athlete.

Paris, 1968. Overnight, Isabelle, a young high school student, comes home in shock after what she saw in the streets. Her parents decide to take her to the countryside to escape the disorders.  From then on, Isabelle has only one thing in mind: get back to Paris. Instead, her life will take a whole different direction.

It tells the story of the Warsaw Uprising of 1944 through the eyes of a US airman, escaper from the Nazi Stalag camp and two young reporters, cameramen for the Bureau of Information and Propaganda of the Polish Home Army. Their mission: documenting the Uprising by shooting newsreels for the “Palladium” cinema. Looking for the right shots, they go deeper and deeper – literally and figuratively – into the heart of the Uprising. Traumatic truth becomes obvious. Aware of being witnesses of indescribable events, they realize their duties: to document them and preserve the rolls of film at any cost…