Don Hollenbeck

Paul Hall

Stanley Kubrick’s first color film, commissioned by the Seafarers International Union to promote the benefits of union membership. Shot inside the union’s Atlantic and Gulf Coast District facilities, it features scenes of ships, machinery, cafeteria life, and meetings, highlighting the daily routines and camaraderie of seafarers. Thought lost for decades, the film was rediscovered in 1973 and preserved by the Library of Congress.

A portrait of two very different mathematicians, porridge pulleys and Pi features Fields medalist Vaughan Jones, one of the world's foremost knot theorists and an avid windsurfer, and Hendrik lenstra, a number theorist with a passion for Homer and all things classical. Porridge pulleys and Pi poses the question: how do we get first-rate research mathematicians? Hendrik lenstra and Vaughan Jones have had an extraordinary impact on mathematics; this charming documentary gives the viewer a taste of their personalities, mathematical and otherwise. A whirlwind tour of knots, geonomics, cryptography, music, Homer, elliptic curves, art, and windsurfing, the video contains sections on the history of Pi, and a suprising discovery involving a cocoa tin and an Escher print.

Documentary about the reconstruction of Dresden's Semperoper opera house.

One of the major works by South Korean feminist film collective Kaidu Club, this short is a dynamic, idiosyncratic, and mosaic-like portrait of Korean life, culture, and people who dream of a unified North and South.

Shot on 16mm and featuring a soundtrack by Toshiya Tsunoda, Luke Fowler's film pays tribute to the French master’s impressionistic approach to light and nature (notably his Mont Sainte-Victoire series) through his own resplendant glimpses of landscapes and people in Southern France.

In Zachary Epcar's fragmentary, soap opera-esque film, lounge music, lamps, coffee pods, and other accoutrements of modern life restage a story of domestic dreams and nightmares.

Turner Prize–winning artist-filmmaker Charlotte Prodger deftly blends the scientific with the diaristic, as the hunt for a rare maned lioness structures a personal reflection on queer desire and mobility.

A generous and lyrical continuation of Lebanese artist Marwa Arsanios’ interest in the ties between ecology, feminism, and collective organization, this documentary showcases the radical politics of a Lebanese farming cooperative and the citizens of Jinwar, a women-only village in the north of Syria.