Richard Arlen

Peggy Shannon

William B. Davidson

Charles Trowbridge

Ned Sparks

The Secret Call is adapted from The Woman, a play by William C. DeMille (brother of Cecil B.) Peggy Shannon plays Wanda Kelly, the daughter of a disgraced politician. Reduced to working as a switchboard operator, Wanda is privy to the many secrets and indiscretions of the clients of a big-city hotel. She also finds romance in the form of handsome Tom Blake (Richard Arlen). The huge cast of characters comes in handy for the film's multitude of subplots, none of which ever get their wires crossed. Peggy Shannon acquits herself nicely in her first major role, but by the end of the decade her career was in decline.

A woman’s lover and her ex-boyfriend take justice into their own hands after she becomes the victim of a rapist. Because some acts can’t be undone. Because man is an animal. Because the desire for vengeance is a natural impulse. Because most crimes remain unpunished.

After returning from a concentration camp, Susanne finds a traumatized ex-soldier living in her apartment in bombed out Berlin. Together the two try to move past their experiences during WWII.

When cocky military lawyer Lt. Daniel Kaffee and his co-counsel, Lt. Cmdr. JoAnne Galloway, are assigned to a murder case, they uncover a hazing ritual that could implicate high-ranking officials such as shady Col. Nathan Jessep.

The rise and inevitable fall of an amoral but naive young woman whose insouciant eroticism inspires lust and violence in those around her.

Every day, Jay travels the length and breadth of Tokyo in his taxi, looking for his daughter Lily. In the 9 years since he has separated from his wife, he has never been able to get custody of his daughter. Having given up hope of ever seeing her again, he is about to move back to France when Lily hops in his cab. But she doesn't recognize him.

When a rich woman's ex-husband and a tabloid-type reporter turn up just before her planned remarriage, she begins to learn the truth about herself.

The eldest member of a rural community of grape growers refuses to sell his land to a greedy real estate company. When he seems cornered by the dirty tactics of a corrupt businessman, he must decide whether to give up everything he owns, or take control of the situation.

Luise, called Pünktchen, and Anton are closest of friends. Being the daughter of a wealthy surgeon, young Pünktchen lives in a great house. Her mother, who always travels through the world more for public relation reasons than for the social tasks she pretends to fulfill, is never available to her as a mother. Anton, son of a single and sick mother in financial trouble, does his best to help her out of it by working late. Pünktchen decides to help her only friend (as nobody else would anyway) and starts singing in public places. Trouble arises when Anton can't resist stealing a golden lighter and Pünktchen's secret life is discovered by her parents. Two troubled families finally can see the need for actions to be taken.