Massimo Marinoni

Peter Guinness

Ian Bustard

Niccolo Cioni

Ben De Saumserez

From a small Italian community in 15th-century Florence, the Medici family would rise to rule Europe in many ways. Using charm, patronage, skill, duplicity and ruthlessness, they would amass unparalleled wealth and unprecedented power. They would also ignite the most important cultural and artistic revolution in Western history -- the European Renaissance. But the forces of change the Medici helped unleash would one day topple their ordered world.

In Renaissance Florence, a Florentine trader meets a shipwrecked stranger, who introduces himself as Tito Melema, a young Italianate-Greek scholar. Tito becomes acquainted with several other Florentines, including Nello the barber and a young girl named Tessa. He is also introduced to a blind scholar named Bardo de' Bardi, and his daughter Romola. As Tito becomes settled in Florence, assisting Bardo with classical studies, he falls in love with Romola.

An elderly Catherine de Medici reflects back on how the prophecies of Nostradamus accurately predicted the fates of her husband, her three sons and herself.

Why Is Mona Lisa Smiling? is a captivating documentary that connects the revolutionary spirit of the Renaissance with a modern reimagining of capitalism. Featuring a diverse cast of influential CEOs, visionaries, and historians, the film delves into the transformations reshaping companies.

He is considered the greatest European poet of the Middle Ages and his work unfolds the whole panopticon of occidental education – theology, philosophy, sciences, politics and literature. But who has really read it, the “Divine Comedy”? Who knows more of its creator Dante Alighieri than that he had an eagle-like profile and was in love with a woman named Beatrice? 700 years after Dante’s death, the filmmaker Adolfo Conti travels through Italy with Dante’s words in mind and eyes to see the world as Dante did. As the film encounters the beauty of arts and the Tuscan landscape, the forces of nature, a dramatic life story is unfolded.

The insatiably curious and headstrong inventor Leonardo da Vinci leaves Italy to join the French court, where he can experiment freely, inventing flying contraptions, incredible machines, and study the human body. There, joined in his adventure by the audacious princess Marguerite, Leonardo will uncover the answer to the ultimate question – "What is the meaning of it all?"

In autumn of 1526, the Emperor, Charles V, sends his German landsknechts led by Georg von Frundsberg to march towards Rome. The inferior papal armies, commanded by Giovanni de'Medici, try to chase them in the midst of a harsh winter. Nevertheless, the Imperial armies manage to cross the rivers along their march and get cannons thanks to the maneuvers of its Lords. In a skirmish, Giovanni de'Medici is wounded in the leg by a falconet shot. The attempts to cure him fail and he dies. The Imperial armies assault Rome. The film is beautifully but unassumingly set, and shows the hard conditions in which war is waged and its lack of glory. It ends straightforwardly with the declaration made after the death of Giovanni de'Medici by the commanders of the armies in Europe of not using again fire weapons because of their cruelty.