Orlando Pascua

The Falklands War began on April 2, 1982, with the Argentine landing on the islands ordered by Leopoldo Fortunato Galtieri, and culminated with the cessation of hostilities between Argentina and the United Kingdom of Great Britain on June 14, 1982. Through dynamic editing and the use of archival materials, the documentary considers the war as part of our recent past, but also opens up multiple questions and reflections on contemporary society and the future projection of what such a conflict generates for us Argentines.

The portrait of a young bakery worker in Swabia. A vague desire for something else lurks between her sentences and the images of her everyday life.

A report on the Film Academy in Ulm, Germany

As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.

A film in three parts after Oskar Schlemmer's Triadische Ballett (Triadic Ballet).

A documentary following an ancient Jinn called Mother of Fire and her ruminations on the history of the UAE, colonial meddling and contemporary Eurocentric museum display practice.

Mezquite is a large tree with many virtues and is in danger due to the neglect that has been had with its species in recent years.

A man tries to get a group of young people trapped in drugs out through philosophy.