George Tsai

Chris Olson

A police officer encounters a stranger waiting for an old friend.

A visual barrage of nature, colors, and scenery combining into a montage that overwhelms the senses, playing with Wesendock Lieder's Richard Wagner piece.

Writes Ando, "Oh! My Mother was the first work I made using a newly bought 16mm camera I had purchased with the writer Shuji Terayama in Paris. This piece was selected for the Oberhausen International Film Festival. In 1969, there were, of course, no video cameras like ones we see now, and color TVs were only found at broadcast television studios. I had just been employed at the TBS (Tokyo Broadcasting System), and I often snuck into the studios after hours to experiment with the equipment. Oh! My Mother was made using the feedback effect, which is produced by infinitely expanding the image by looping the video."

Lucas needs to get back to New York City with his sister Charlotte. They have vividly memories about their good times together, but he needs to be honest with himself and acknowledge the outcomes of his actions.

A seventeen year old girl who has lived all her life on an island off the coast of Ireland is faced with the choice to remain there or emigrate to America.

Eight-year-old Jesse lives in a twilight world of sadness and silence, squeezed into a tiny caravan with his grief stricken father. They're in limbo, existing more than living. The child intuitively understands that looking forward is harder than looking back, and that's where life happens. But they are stuck, until an accidental friendship with a V8 driving transsexual unlocks the means for Jesse to liberate his father and himself.

Three "meetings." Two men. A rumbling volcano.

In the dog days of summer, two sisters and their mother move into a concrete tower surrounded by farmland as far as the eye can see. Twelve-year-old Violette innocently concentrates her budding desires on Franklin, while Isa, her older sister, staves off her sadness with short-lived romances.