Jos Smit

Marie Bertrands

Klaas Smets

An old man with dementia tries to remember pieces of his life regarding his wife.

Russian poet Andrei Gorchakov journeys through Italy with his interpreter Eugenia to research the life of an 18th-century Russian composer who once lived abroad. Isolated and consumed by an unrelenting longing for his homeland, Andrei becomes drawn to Domenico, a radical mystic obsessed with spiritual redemption. Through austere imagery and extended temporal rhythms, Tarkovsky examines exile, memory, and the profound melancholy of being unable to belong fully to either place or language.

An old woman has died and her widower with dementia confesses to killing her. After this, the story goes back in time to show the events leading up to her death.

After the end of an intense relationship, Aurora returns to the places that marked its beginning and end. While reliving good and painful memories, she confronts what she lost of herself in trying to hold onto the love. In writing a final letter, Aurora attempts to transform the end into a learning experience—and understand that letting go is also part of moving on.

Amanda and her stepfather Martin struggle with a moral issue that divides them. Has Amanda’s mother Leslie, who has dementia, lost the ability to make critical decisions in her own best interests? And, if so, who is responsible – a spouse, a child, an institution – for making such a determination? As Amanda and Martin are forced to make increasingly difficult choices, the repercussions spiral out of their control.

Five unmarried sisters make the most of their simple existence in rural Ireland in the 1930s.

A desperate woman who can no longer support her elderly mother with dementia takes her for one last drive.

After Ali suddenly leaves home, he and Simin separately try to find the reason for this separation before their memories are permanently faded.

A lonely woman's prank phone call leads to an unexpected friendship with a grieving widow.