In 2011, photographer Tanja Hollander decided to visit each one of her Facebook "friends" (all 626 of them) in their homes and make formal portraits of each of them. Armed with her cameras and iPhone, Tanja traveled throughout the U.S. and around the world for 5 years, meticulously documenting her experiences in real time and creating a historical narrative, both visual and written, along the way. Her project is an exploration of friendships, the effects of social networks, the intimate places we call home and the communities in which we live.

Experimental short film on the excitement and rush of a day trip

Watch the chilling tale of African women whose fertility was tragically stripped away through an experimental tetanus vaccination program. Are women from other continents next?

This film is a look at the disappearance of religious and industrial cultures in a small town (Scardovari) located in northern Italy (Po Delta). This erasure, together with the economic situation, pushes the men and women to return to the water to survive. The image as a representation of the memory of a place, of an inner landscape, of a mystery. A narrative that belongs to the world of exegesis, to an infinite world of relationships, of networks where each image enters into correspondence with another, opening up the meaning ever more and breaking the unity of history.

A mysterious light appeared in the city and quickly disappeared.

A lyrical journey through the heart of Chicano culture as reflected in the love songs of the Tex-Mex Norteña music tradition. Performers include, Little Joe & La Familia, Leo Garza, Chavela Ortiz, Andres Berlanga, Ricardo Mejia, Conjunto Tamaulipas, Chavela y Brown Express and more.

Eleven major film makers from Europe, America and Asia talk about Akira Kurosawa and discover surprising influences on their own work.

This documentary aims to register this unknown side of James Joyce: His Greek Notebooks. Trieste. Bloomsday, 2013. Dance in slow motion, accompanied by text. By deconstructing the body, we turn it into a memory: of the body, of life, of texts. The biographical references to Joyce and Mando Aravantinou, combined with the diagonal slicing of the image, cancel the realism of the landscape, including that of the Narrator’s space/study. As a culmination, Joyce’s letter “A request for a loan in Greek” functions as a timely denunciation. Various routes through cities, such as Trieste, London, New York, and Athens; languages such as Greek and English. In addition to the primal myth of Ulysses, there is another issue: Greek is “the language of the subject of Ulysses”