Brenda Solano

Carmen Solano

Marco Solis

Mylena Fonseca

A Hispanic teenage girl dealing with depression, anxiety, loss and heartache lives her life struggling to find her identity all the while trying to hold on to the relationship she once had with her mom.

Four young office workers have a bet going to see who can last the longest without going outside. In the maze that is the downtown core of a large city, glass skywalks connect apartment buildings, office towers and shopping malls. Its day 28 of the bet and over the lunch hour, as the office prepares for the company founder's retirement party, things start to seriously unravel.

Nun Nancy follows the heartfelt ministry of a passionate woman of God that served the inner city of Baltimore, Maryland disguised as a bartender so that she could more effectively share God's love to the drunks and prostitutes.

Two elderly criminals spend their final night in Los Angeles, California at the Golden Eagle Hotel prior to their departure to Las Vegas, Nevada, to lead a life without crime. Unfortunately, on the hottest night of the summer, these two ex-criminals seemingly get caught in the malice of prostitutes, pimps, drunken bums, fighting monkeys, and young runaways.

Lydia Lunch and Richard Kern's first collaborative effort, The Right Side of My Brain, is a glimpse into the world of unsatiable female lust, narrated by Lydia Lunch. The film was initially dismissed and dismayed by critics such as J. Hoberman, but the criticism of The Right Side of My Brain received only pushed the two to go one step further with Fingered (1986).

A series of short films by Richard Kern: Stray Dogs, Woman At The Wheel, Thrust In Me, &amp; I Hate You Now.

Down-and-out jukebox operator Macabee Cohn wanders the cheap tenements, dive bars, and derelict streets of the East Village in search of a mysterious woman in a striped dress.

Sunday at Il Posto Accanto is a deeply personal, hybrid film blending documentary techniques with narrative storytelling. Set in a beloved East Village restaurant during the early days of reopening after the pandemic, it stars Victor Rasuk, Danny Hoch, and the real people who made the place a sanctuary for community. At once funny and poignant, the film is a meditation on grief, resilience, and the small rituals—both absurd and sacred—that keep us connected. It’s rich with character, brimming with the kind of imperfect charm only real life can deliver. Il Posto is about a neighborhood, a family—chosen and otherwise—and the quiet beauty of coming together after isolation. Made on a modest budget with a lot of heart, it captures a moment in time when the simple act of gathering felt nothing short of holy.

Filmed in documentary-style, the film follows the character of Gringo, a young man looking for fortune in New York, only to fall into heroin addiction.