Rachel Aimee

Annie Sprinkle

A feature documentary about the commercial sex industry on Guam.

A young girl who lives with her poor father has to get her driver's license for a new part-time job. Because she doesn't have enough money, she has to pay for the lessons in a different, irregular way. And she does that with no other than the intriguing driving instructor Roy, but how is this going to end?

A choral story of women who worked as prostitutes and the feminist debate on abolitionism and regulation, through their life stories, desires and convictions.

EMPOWER is a series of three portraits of sex workers with heterogeneous trajectories crossing paths of migration, Trans identities, feminism, the fight against HIV, the fight against precariousness and discrimination. Interweaving personal journeys, political analysis, and strategies of collective resistance, Aying, Giovanna Murillo Rincon, and Mylène Juste demand for the rights of minorities. Far from the objectification often at work in documentaries, EMPOWER is a tribute to the voices of sex workers through an active collaboration in production with the protagonists.

The Rise of OnlyFans is an illuminating documentary that provides a comprehensive exploration of the unprecedented growth and cultural impact of the groundbreaking platform, OnlyFans.

The most famous woman in the world was a sex worker. Marilyn Monroe knowingly used sex as a source of income. The first escort of pop culture lived by the economy of sex work. Hollywood slid its hand between her thighs and turned it into a myth — for profit. Her body was stolen, copied, consumed. But what if that body were trans?

Documentary about the Lyon sex workers who occupied the church of St. Nizier on June 3, 1975.

"No Refunds" is a visceral, tangled descent into the transactional dynamics of intimate encounters, told through the language of bodies, sheets, and reflections, where the purchase of queer sex work is laid bare. As the filmmaker simultaneously takes on the roles of client and audience, the boundaries between documentary and performance fade, unraveling the artifice at the heart of sex work and the act of filmmaking.

The current trend to render prostitution a profession "as any other" is belied by women who were themselves prostitutes. With clarity and courage, the women in this film reveal the hidden face of that so-called "sex work". They are 22, 34 or 48 years old; they live in Montreal, Quebec and Ottawa - They have recently given up prostitution, or are trying to escape it. These women are leading the bitter fight to turn their lives around and it is a long and lonely struggle fraught with difficulties. Shot in a Cinéma Vérité style, The Fallacy (L'imposture) takes us to the heart of their realities.