Filmed in Peckham on Kodak 160G Super 8 film, expired in 1977. Home processed in self-mixed C-22 in Lomo UPB-1A tank. Camera: Braun Nizo 801 Macro. Music: Harold Budd 'Jane 15'

Live concert of the German band Unheilig, recorded on March 4th 2004 in Nuremberg, Germany.

Wax and wane until there is naught but boring pain.

Uncredited remake of "Ghost". Dead man's spirit, unable to bear separation from his wife, communicates to her through a wacky medium.

A musician seeks a peaceful vacation in a Vogtland village but is soon overwhelmed by requests for a symphonic composition and a pop song for a local dance band, leaving him with no time to relax.

Equal parts punk and psychedelia, the Flaming Lips emerged from Oklahoma City as one of the most bracing bands of the late 1980s. The Fearless Freaks documents their rise from Butthole Surfers-imitating noisemakers to grand poobahs of orchestral pop masterpieces. Filmmaker Bradley Beesely had the good fortune of living in the same neighborhood as lead Lip Wayne Coyne, who quickly enlisted his buddy to document his band's many concerts and assorted exploits. The early footage is a riot, with tragic hair styles on proud display as the boys attempt to cover up their lack of natural talent with sheer volume. During one show, they even have a friend bring a motorcycle on stage, which is then miked for sound and revved throughout the performance, clearing the club with toxic levels of carbon monoxide. Great punk rock stuff. Interspersed among the live bits are interviews with the band's family and friends, revealing the often tragic circumstances of their childhoods and early career.

Adopting mainly hand contact printing with photographic enlarger, «Metaphysics of sound» started from September of 2006 and completed in July of 2007. With a 35mm soundtrack image, I made a hand-drawn soundtrack on the 16mm film strip. The sounds were made either by directly contact printing the 35mm sound tracks or collaging the scratch images. According to pattern of sound on the 20% blank of 16mm film strip (normally used as space for optical recording), I edited whole image and made structure of film. Hence the margin is a where image is sound, and vice versa. Later, I studied the sound patterns which varied according to the kinds of images used or the concentration of the image, and made various attempts at rearranging the structure of the sound with the image.