Bobby Lane

Van Curaza

Martin Pollock

Mike Shurley

Sean Meyer

A suicidal war veteran finds like-minded souls in a surf therapy program that helps traumatized soldiers heal while riding the waves.

Having emerged from an 11-year civil war that left more than 50,000 people dead and two million displaced, Sierra Leone strives for a peaceful and democratic future. Since the end of conflict in 2002, the people of Sierra Leone have strived to build a democratic and peaceful society. The path remains difficult, with poverty entrenched, yet signs of progress, too often ignored by the international media, can also be found. Sierra Leone has held two consecutive democratic elections, and women and young people have taken the lead in creating an engaged civil society. This short film documents the progress Sierra Leone has made since the end of its brutal civil war and the hope of a new generation for creating a more just society.

Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.

Shots of pre-war Rotterdam, both the city and the port.

Americans refused to be drafted from the concentration camp at Heart Mountain, Wyoming. Ready to fight, but not before their rights as U.S. citizens were restored and families released.

Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi &amp; Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.

During World War II, the propaganda engine of the U.S. government made a pivotal decision with unforeseeable results: they tapped John Huston to shoot war documentaries with an expressly patriotic spin. Few could guess the degree to which Huston's documentaries would depict the sheer brutality and horror of modern warfare - particularly his Let There Be Light and The Battle of San Pietro. The films served (by default) as cinematic protests, even as they graced new and brilliant heights within the scope of American documentary. (Indeed, Light was banned by the government for 35 years). Midge Mackenzie's 1998 documentary John Huston: War Stories explores this little known facet of Huston's career, intercutting clips from the various documentaries with a Huston interview shot just prior to his death.

"Float" is the film version of the Ripcurl Tip 2 Tip Project, a six-month quest on the Infinite Search, stretching from one end of the Indonesian Archipelago to the other aboard the mighty Quest 1.  It's a story of adventure and surfing spirit and the surfers who put their lives on hold to chase it by sea.  From perfect waves to cabin fever, "Float" lives the surfing dream and takes you everywhere except a final destination.  Starring: Dean Brady, Dillon Perillo, and Bruno Santos.  Featuring: Mick Fanning, Owen Wright, Matt Wilkinson, Taylor Knox, and others on The Search.  A Film by Andrew "Shorty" Buckley.

Documentary about Merijn Tinga's fight againt the plastic soup.