Chris O'Donnell

Drew Barrymore

Matthew Lillard

Richard Chaim

Robert Nadir

Matt falls for Casey, the new girl in school. She's fun-loving and eccentric, but there's a darkness to her whimsy that Matt can't begin to comprehend. When Casey attempts to commit suicide, her parents place her in a mental institution. Matt springs her out, and together the young lovers head on a road trip. They believe their love can "cure" Casey's problems. Matt starts to wonder, though, if are they inspired or misguided.

Chigusa and Yuuto always spent time together as children. They enter high school at the same time and happen to be put into the same class. Yuuto's mother ran off and his father is an alcoholic, so it seems as though the only time he can feel any relief from the pain of his life is when he spends time with Chii-chan and can be reminded of the happy little moments from his past.

A woman (Trisha Ray) returns to India to visit her father (Soumitra Chatterjee), whom she still blames for her mother's suicide.

When her only daughter goes off to university, an empty nest mother gets stuck taking care of her daughter's heart-broken ex-boyfriend, who she can't stand.

A young man awakens from a four-year coma to hear that his once virginal high-school sweetheart has since become a centerfold in one of the world's most famous men's magazines. He and his sex-crazed best friend decide to take a cross-country road trip in order to crash a party at the magazine's legendary mansion headquarters and win back the girl.

College student Charlie Banks has to face old problems when the bully he had an unpleasant encounter with back in high school shows up on his campus.

In his final attempt to free himself from the curse of the Hulk, Dr. David Banner becomes involved in a dangerous international espionage mission that may finally lead to a cure. As forces close in and the stakes rise, Banner faces an ultimate sacrifice, bringing his tragic journey to a definitive and emotional conclusion.

Paloma is a serious and highly articulate but deeply bored 11-year-old who has decided to kill herself on her 12th birthday. Fascinated by art and philosophy, she questions and documents her life and immediate circle, drawing trenchant and often hilarious observations on the world around her. But as her appointment with death approaches, Paloma finally meets some kindred spirits in her building's grumpy janitor and an enigmatic, elegant neighbor, both of whom inspire Paloma to question her rather pessimistic outlook on life.

Phyllis is a moving and atmospheric portrait of a ‘psychic’ vampire, a woman obsessed with synthetic Nollywood dramas, that lives alone in Lagos, Nigeria. The central idea of this short experimental film is the practise and significance of wig-wearing in Nollywood film; a practise the director has invested with deeper psychological as well as science-fiction layers. Underpinning this central idea however is a critique of the unforgiving treatment of single women in Nollywood and Nigeria. The film is an example of what the director, Zina Saro-Wiwa, has termed “alt-Nollywood”, a genre that plays with and reworks certain narrative, stylistic and visual conventions of Nollywood. Phyllis explores the gothic possibilities of the Nollywood aesthetic creating a new kind of low-budget atmospheric film that is very much of Nollywood and yet subverts the genre. Using Nollywood to subvert Nollywood.