Jayli Fimbres

Zaysha Grinnell

Marea Deville

In this evocative meditation, a disturbing link is made between the resource extraction industries’ exploitation of the land and violence inflicted on Indigenous women and girls. Or, as one young woman testifies, “Just as the land is being used, these women are being used.”

In this segment on immigrant cultures for the television program Mosaïque, a young Senegalese woman who cooks in a workers’ hostel dreams of traveling throughout France and getting to know her adopted country, taking issue with the cliché of the impoverished and helpless immigrant.

Documentary about how indigenous culture and the achievements of modern tourism intertwine.

When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.

Documentary depicting the lives of child prostitutes in the red light district of Songachi, Calcutta. Director Zana Briski went to photograph the prostitutes when she met and became friends with their children. Briski began giving photography lessons to the children and became aware that their photography might be a way for them to lead better lives.

Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more -- culled from 19 years of his life.

The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.

Washington Redskins, Cleveland Indians, Atlanta Braves — Indian mascots and nicknames have historically been first draft picks in American sports. But for Charlene Teters, a Spokane Indian, transplanting cultural rituals onto the field is a symbol of disrespect. Jay Rosenstein follows Teters' evolution from mother and student into a leading voice against the merchandising of Native American symbols — and shows the lengths fans will go to preserve their mascots.

In the familiar surroundings of their everyday lives, they talk about things that matter to them, about experiences that move them, about first love and loss, hopes and fears. 13 adolescents from a school in Donbass which was destroyed during the war in Ukraine, and subsequently rebuilt, share themselves in front of the camera. 13 lives inhabiting an intermediary space, both emotionally and socially.