An unpublished painting, the meeting of two geniuses in a single painting arrives to the museum at a rainy night. The museum caretaker observes the work of art being brought to the lounge where it will be exhibited to the public. The wet box drips on the paint, the paint softens and releases the conjoined painters who walk around the museum intervening on the works of art in a Cubist and Surrealist manner. The caretaker "chases" our painters in a classic cartoon chasing, using the Renaissance mechanisms to restore the order.

Charcoal animation, taken from from Point of View: An Anthology of the Moving Image (2003).

Reynivellir is a representation of the transit that is generated when approaching the art work, described with visual games that can well be evoked by the same brain when witnessing the impossible figures of Jose María Yturralde. Reynivellir is also a beach in a country that is a musical sonnet, and this is so because the mental image does not always connect the articulated parts of a sensation, it is systematic, but aleatory, and it is from these notions of the field of observation, that it approaches and moves away from understanding, linking and unlinking forms, movements, sounds, sensations and knowledge.

Andy heads off to Cowboy Camp, leaving his toys to their own devices. Things shift into high gear when an obsessive toy collector named Al McWhiggen, owner of Al's Toy Barn kidnaps Woody. Andy's toys mount a daring rescue mission, Buzz Lightyear meets his match and Woody has to decide where he and his heart truly belong.

A young linguist named Milo Thatch joins an intrepid group of explorers to find the mysterious lost continent of Atlantis.

A statue that dreams and a very special robot cleaner that works in the museum.

When The Man in the Yellow Hat befriends Curious George in the jungle, they set off on a non-stop, fun-filled journey through the wonders of the big city toward the warmth of true friendship.

Poème Électronique is an 8-minute piece of electronic music by composer Edgard Varèse, written for the Philips Pavilion at the 1958 Brussels World’s Fair. The Philips corporation commissioned Le Corbusier to design the pavilion, which was intended as a showcase of their engineering progress.  The pavilion was shaped like a stomach, with a narrow entrance and exit on either side of a large central space. As the audience entered and exited the pavilion, the electronic composition Concret PH by Iannis Xenakis (who also acted as Le Corbusier's architectural assistant for the pavilion's design) was heard. Poème électronique was synchronized to a film of black and white photographs selected by Le Corbusier which touched on vague themes of human existence.

A series of morphing, abstract, computer-generated artscapes created by James Shiflett, set to a musical score composed by Jonn Serrie.