A collection of Drive In Movie Intermission ads from the 1950's - 1960's.

Berry has lost everything, but gets a job at taxi company IVOTAX. When Ivo finds out about Berry's past, he devises a trial that culminates in an intense chase through the streets of Eindhoven, in which no one seems to be trusted.

Two lifelong buddies must unravel the circumstances that led to a corpse in their bathtub in the wake of a Halloween party.

Unable to purchase a $50,000 digital projector, a group of film fanatics in rural Pennsylvania fight to keep a dying drive-in theater alive by screening only vintage 35mm film prints and working entirely for free.

Dexter and Royce, two stoners in the small town of Weedsville, attempt to cover up the overdose of Royce's girlfriend Matilda. What leads from an old drive-in being perfect place to ditch her turns into the accidental discovery of a Satanic cult, who brings Mattie back from the dead after their ritual is botched. Along with the two's dealer Omar on their tail, how will these buddies and their slightly-off lady-on-board deal with the dangers of drug debt and demon-worshipping magic?

Libbie is assigned to her paper's sexual advice column, "Dear Collete". She is taking over the job of Harry a crusty old journalist who shows her the pro's and cons of the job while running on a tight deadline to get the column finished for the morning's paper. During the course of the evening they reply to a wide variety of sexual experiences submitted by the readers, some these include, sex in a threesome at a drive-in theatre, sex in a gymnasium, and sex in a library where the "Silence Please" sign gives the male librarian an advantage over the female readers.

[19:30 | 35mm (1.85) | Stereo Sound | 2013] The Broken Altar is a portrait of open-air theaters documented under the strange light of day, emptied of the once present hum of human voices, radioed-in soundtracks and tires on gravel. Scripting the landscape and exploring the residue of a cinematic history, The Broken Altar forms a sculptural treatment of the architectural artifacts of these abandoned and barren spaces: speaker boxes rise from tall grass like grave markers and the screens themselves are monumental, sepulchral in their peeling whiteness.

Kim Taylor inherits her grandfather's drive-in theatre. She must raise $25,000 over one weekend or the bank will take the property from her. She also has to deal with pesky capitalist J.B. Winston.

Hollywood is a town of tinsel and glamour; but there is another Hollywood, a place where maverick independent exploitation filmmakers went toe to toe with the big guys and came out on top.