At Ngay Ngay, a village in northern Senegal, there are real natural evaporative basins in which depending on the year large or small quantities of sea salt dry out.  Located 15 kilometres from Saint-Louis, the village is living around a complex community organisation: men divide the salt fields into plots, and women are those who harvest. In the end, the men receive a share of the crop, while women are those who took great pains over the harvesting.

FENEEN is a journey into Senegal's urban music scene. This project was born from the meeting of Italian producer Frank Sativa with Senegalese pop-star Leuz Diwane G and Italian-Senegalese rapper F.U.L.A. This gave rise to a song, a video clip and a documentary with the same name (Feneen). Feneen portrays the current urban and music subculture of Dakar suburbs. The documentary highlights the fundamental rule of the urban subculture in debunking the stereotypical image of the African continent.

The story of four Senegalese youths from the suburbs of Dakar who are about to set their country ablaze in 2011, via the grassroots movement called Y’en a marre (We’re fed up).

This animated short challenges enduring myths, spawned by fairy tales and romances, about women in medieval society. It explores the differences and similarities between that distant period and our own, and shows what medieval women’s lives were really like.

Zanzibar: Trouble in Paradise depicts a group of women who gained financial independence and stability in an otherwise male dominated culture through seaweed farming, until climate change killed the seaweed. The film follows the women, whose ingenuity led them to a new crop, more resistant to climate change: sea sponges. However, new challenges occurred; combating bacteria and climate change threatening their new product as well. In bringing the story of these women to light, the film demonstrates their resiliency and individual struggles facing the effects of climate change. While many documentaries focus on the science, Zanzibar shines a light on the disaster's impact upon those least likely to be heard.

The artist Johanna Faust is about to leave her children to finally devote herself to her art again. A vague memory comes to her mind: Didn't her grandmother do the same thing, with terrible consequences? The intimate road movie tells of lost mothers and abandoned children, of the temptations and the price of self-fulfilment, of the abysses of motherhood and of the deep longing for another life.

Life in a rural area in Spain where the sole source of income is the physically gruelling labour of salt mining.

Four men from a nomadic Tibetan tribe undertake their annual, ritualistic pilgrimage to a sacred salt lake. Salt gathered in this traditional fashion will be sold to provide the economic livelihood of the tribe for the coming year. The journey, necessary for the group's survival, also incorporates a number of rituals necessary for their culture to survive in the modern world.

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.