Peter Haber

Kristofer Hivju

Måns Nathanaelson

Ingvar Hirdwall

Elmira Arikan

A man is beaten to death in the Middle East. In Stockholm, a young woman disappears on her way home from work. These two events will prove to be related. Since Martin Beck has quit, Steinar Hovland leads the search for the missing girl. But Martin is drawn into the case when he decides to help the national Security Police investigate a suspected terrorist. They soon realize that they are in a race against time to stop a catastrophe.

Two childhood friends are recruited for a suicide bombing in Tel Aviv.

Leonard Shelby is tracking down the man who raped and murdered his wife. The difficulty of locating his wife's killer, however, is compounded by the fact that he suffers from a rare, untreatable form of short-term memory loss. Although he can recall details of life before his accident, Leonard cannot remember what happened fifteen minutes ago, where he's going, or why.

Axel Foley returns to the land of sunshine and palm trees to investigate the near-fatal shooting of police Captain Andrew Bogomil. With the help of Sgt. Taggart and Det. Rosewood, they soon uncover that the shooting is associated with a series of "alphabet" robberies masterminded by a heartless weapons kingpin—and the chase is on.

Selma, a Czech immigrant on the verge of blindness, struggles to make ends meet for herself and her son, who has inherited the same genetic disorder and will suffer the same fate without an expensive operation. When life gets too difficult, Selma learns to cope through her love of musicals, dreaming up little numbers to the rhythmic beats of her surroundings.

Directed by Solveig Hoogesteijn, Macu, the Policeman's Woman (1987) is a Venezuelan crime drama based on a true story. The film follows Macu, a young woman living in a Venezuelan shantytown, who becomes romantically involved with a local policeman named Ismael. As their relationship develops, Ismael's jealousy intensifies, leading to tragic consequences. The narrative delves into themes of power, control, and the dynamics of abusive relationships within marginalized communities. The film is notable for its exploration of gender roles and societal issues in Latin America.

Angoroj (1964; Esperanto for "Agonies") was the first feature film to be produced entirely in Esperanto. (Jacques-Louis Mahé, a friend of Raymond Schwartz and under the pseudonym of 'Lorjak', had however already produced a silent Esperanto publicity film before World War II, titled Antaŭen! (Onwards!).  At the start of the 1960s Mahé, a professional photographic and cinematic expert, invested in the production of the first fictional film in Esperanto. Using a scenario by Mahé himself, the actors of the Internacia Arta Teatro (International Arts Theatre) presented a crime story, set in the Parisian periphery of petty thieves and cheats. Other notable people who played parts in the film included Schwartz (the commissioner), Gaston Waringhien (the voice-over) and many from the environs of the contemporary Paris, including a very young Michel Duc-Goninaz.

A rich but miserly old man taunts his relatives about who will get his money when he dies, and is soon mysteriously murdered. It turns out that he has left his estate to a beautiful young actress whom the other relatives didn't know was related to him. Several attempts on her life are thwarted by a detective, who sets out to discover who's behind the scheme to kill her.

When a sheltered young woman becomes enamored with a struggling writer, she goes to great lengths to become involved in his creative process.