Geoff Dyer

Jeffrey Fraenkel

Susan Kismaric

Adrienne Lubeau

Tod Papageorge

Freyer Artist. Iconoclast. Man of his time. All Things are Photographable is a revealing documentary portrait of the life and work of acclaimed photographer Garry Winogrand – the epic storyteller in pictures of America across three turbulent decades.

Semi-Biographical film documenting the life of The Reverend Wilbert Awdry, creator of the beloved Thomas The tank Engine Stories

The film follows teenage girls Mairéad Mc Ilkenny and Christine Savage. The two young women live in the same city but at the same time in two different worlds, cut off from each other by high walls that separate people.

Diana Mariscal reached a moment of fame in the sixties, when at just 18 years of age she was the lead actress of the movie Fando and Lis by Alejandro Jodorowsky. The moment seemed to trigger a promising career, but her public image faded little by little until disappearing. Forty years later the traces of her existence have not been entirely erased.

A documentary on the once promising American rock bands The Brian Jonestown Massacre and The Dandy Warhols. The friendship between respective founders, Anton Newcombe and Courtney Taylor, escalated into bitter rivalry as the Dandy Warhols garnered major international success while the Brian Jonestown Massacre imploded in a haze of drugs.

The film tells the fairytale story of a scrawny East Frisian who, despite minimal starting opportunities, has had a unique career. Otto has always trusted his gut feeling, even when he often faced challenges that threatened to jeopardize his career. My Name is Otto shows comical moments and emotional high points, but also addresses the fears of a man who to this day firmly believes that his lucky streak could one day end.

Sight, like other senses, is as much a matter of personal experience as of the absence of possible comparisons. How can we know what others see and in what way? How can we describe when our reference points are constantly escaping? Faced with the risk of blindness since childhood, Manuel von Stürler lives in dread of this fate and condition; his lust for sight (Fureur de voir) retraces an initiatory journey into the universe of vision and senses, into the definition of darkness or of nothing.