Catherine Tate

Robert Pattinson

Anne Reid

Holliday Grainger

Steve Pemberton

Karen Cooper wants to domineer her family and believes she's its pillar. In fact she does everything wrong. Thus she messes up all their lives and futures, rather then help her loved-ones.

Masashi, a 15 years old school boy and so-called 'overprotected child', lives with his parents in the suburbs of Tokyo. Poised to graduate from middle school as per his parents' hope and expectations, Masashi experiences an incident during spring break that changes his life forever.

A massage therapist looking to overcome her addictions and reconnect with her son, whose father is an anthropologist in South America studying the Yanomani people, moves in with a wealthy ex-client in New Jersey.

Paloma is a serious and highly articulate but deeply bored 11-year-old who has decided to kill herself on her 12th birthday. Fascinated by art and philosophy, she questions and documents her life and immediate circle, drawing trenchant and often hilarious observations on the world around her. But as her appointment with death approaches, Paloma finally meets some kindred spirits in her building's grumpy janitor and an enigmatic, elegant neighbor, both of whom inspire Paloma to question her rather pessimistic outlook on life.

Phyllis is a moving and atmospheric portrait of a ‘psychic’ vampire, a woman obsessed with synthetic Nollywood dramas, that lives alone in Lagos, Nigeria. The central idea of this short experimental film is the practise and significance of wig-wearing in Nollywood film; a practise the director has invested with deeper psychological as well as science-fiction layers. Underpinning this central idea however is a critique of the unforgiving treatment of single women in Nollywood and Nigeria. The film is an example of what the director, Zina Saro-Wiwa, has termed “alt-Nollywood”, a genre that plays with and reworks certain narrative, stylistic and visual conventions of Nollywood. Phyllis explores the gothic possibilities of the Nollywood aesthetic creating a new kind of low-budget atmospheric film that is very much of Nollywood and yet subverts the genre. Using Nollywood to subvert Nollywood.

Trapped overnight by an unknown assailant, a babysitter struggles to stay safe. As the hours tick by, she realizes that the greatest threat might be from the very children she's trying to protect.

As three generations of a family in a small Texas town gather for a funeral, we learn the hilarious, sad, trashy truth of their sordid lives.

End of High School, Beginning of Summer. A group of friends spend most of their time together, but little do they know that each and everyone of them has set their mind on pursuing one goal, the goal of every teenager : doing it for the first time. And sometimes the line between friendship, love and desire is really thin especially when you’re 15.

1991, Riga Latvia. Lena, a child of divorced parents, escapes from home in the middle of the night when she is fed up with her fathers drinking habits. That's when her journey back home begins.