Dr. David West Reynolds, archaeologist and a New York Times #1 best-selling Star Wars author, learned in 1995 that the original Star Wars filming locations used for Luke Skywalker's home planet of Tatooine had become lost forever. Not even Lucasfilm, producers of the Star Wars movies knew where they were anymore. This documentary follows Dr. West Reynolds journey to Tunisia in search of the locations behind that made up the alien home world of Luke Skywalker.

The director meets Amir and Ramzi in a café in a small Tunisian town. They don't want to be seen there. They have to find a discreet place to talk. Like many other gay couples in Tunisia, Amir and Ramzi are living a nightmare since the Tunisian Revolution. With them, the director will discover the daily life of the Tunisian homosexual couples, even in the discrete parties organized in hotels of the country.

January 2011 : the revolution bursts in Tunisia, my father’s country. The Tunisian people scream in a rage and I, here in Paris, can feel their revolt vibrating in my heart.

The Real Story of Fake Democracy.  Filmed over three years in five countries, FREEDOM FOR THE WOLF is an epic investigation into the new regime of illiberal democracy.  From the young students of Hong Kong, to a rapper in post-Arab Spring Tunisia and the viral comedians of Bollywood, we discover how people from every corner of the globe are fighting the same struggle. They are fighting against elected leaders who trample on human rights, minorities, and their political opponents.

In a neighbourhood in Bhar Lazrak, Tunis, residents live under the imminent threat of the state, which plans to demolish the area. Built spontaneously during the 2011 revolution by a group of people without state authorisation, the neighbourhood now faces an uncertain fate. One evening, mysterious lights appear in the neighbourhood, breaking the silence of the sleepers.

An intimate portrayal of Tunisia’s architectural landscape and its atmospheres, memories and traditions. The film appropriates ethnographic documentaries on architecture and rural life in Tunisia, sourced from France’s national audiovisual archive (INA). Scenes from 1940s newsreels produced by Les Actualités Françaises are combined with new footage from the same sites, including Matmata, Douiret and Tameghza.

Tunisia itself is the subject; we wanted to render the genius of the site. Tunisia is almost the central character of this little film: we see the relation of the city to the sea, the traces that bear witness to its foundation, the remains of Carthage, the symbolism of the recently discovered Medina coin … The splendours of the house interiors and courtyards are associated with a scene of origin, what psychoanalysis calls a primal scene. Entering these houses opens up a world peopled by women: the child’s ‘homecoming’ in the hands of women is staged as an abduction, playing doubly on fascination and terror. These places were mine, from my childhood, they can be found almost intact – it’s the return of the exile visiting the kingdom. I let Ruiz discover all this, and immediately that led him to echoes and resonances ranging from Spain to Chile.

Marinette Pendola is a writer born in Tunisia, but her parents come from sicily. Her Grangrandfather left Sciacca, a town near Agrigento.