Georges Lopez

Johan

Alizé

Guillaume

Létitia

The documentary's title translates as "to be and to have", the two auxiliary verbs in the French language. It is about a primary school in the commune of Saint-Étienne-sur-Usson, Puy-de-Dôme, France, the population of which is just over 200. The school has one small class of mixed ages (from four to twelve years), with a dedicated teacher, Georges Lopez, who shows patience and respect for the children as we follow their story through a single school year.

On the outskirts of Den Helder lies De Nollen, an inland dune area where nature, sculpture, and painting merge into a truly immersive experience. It is the life's work of artist Rudi van de Wint. He died unexpectedly in 2006. His sons, Ruud and Gijs, carried on his dream, out of love for their father and for De Nollen. But plans for a Rudi van de Wint museum in the area led to cracks in their idyllic existence.

The film graphically calls attention to the brutal dangers of playing on top of elevators in public housing high-rise 30-story buildings in New York City. The slang is called "elevator surfing", "elevator action" or "elevator chicken" and it is a deadly game in which groups of children ride up and down the elevator shafts on top of a moving elevator car and jump from one moving car to the top of another. At times, a child waits in the pit of the elevator shaft. When a car pauses on the lowest floor, he grabs the electrical cable and rides upward. "Children Are Too Young To Die" begins with a bloody reenactment of an elevator accident in which a 10-year-old boy gets his arm cut off by the counterweight in an elevator shaft. The story unfolds and reveals real issues and deaths resulting from such dangerous activities.

Until now, they have stood on the sidelines. They have not appeared before the cameras. They have not taken part in public discussion. It is mainly to them that the documentary film by the well-known journalist Ewa Ewart was devoted. It shows the face of the Smolensk catastrophe through the eyes of the victims' families. April 10, 2010 went down in the memory of Poles as a day of national drama. But for the characters in the film, it was the day of their greatest personal drama. Along with the presidential couple, their loved ones passed away in shocking circumstances. For most, the time passing since the Smolensk catastrophe does not bring relief. Ewa Ewart and her film crew accompany the families at various stages of their struggle with difficult emotions. The film is in the process of being made and will include sequences and stills that have not been used anywhere before.

The documentary film "There is no turning back" by Stéphane Kleeb tells the story of the Tibetan siblings Losang and Dechen Barshee, who came to Switzerland as refugee children in 1964. After a difficult childhood in various foster families, they return to Tibet with their mother 40 years later. This journey confronts them with the alienation from their mother and their changed homeland. The film addresses homelessness, uprooting and lost dreams.

Arctic Tale is a 2007 documentary film from the National Geographic Society about the life cycle of a walrus and her calf, and a polar bear and her cubs, in a similar vein to the 2005 hit production March of the Penguins, also from National Geographic.

Ana Deborah Mola and Belkis Lescaille were among the first young teachers who started pilot programs around the island of Cuba in 1960, laying foundation for the massive National Literacy Campaign that would take place the following year.

In this autobiographical documentary, Rosa explores her anxiety, derealisation, and a mother-daughter bond shaped by shared trauma.

Call Me Malcolm is an amazing story of the human spirit and God's spirit, and the liberating struggle to realize and express with confidence the marvelous gift of one's truest sense of self. As Malcolm shares his own story and through the stories of others we meet, Call Me Malcolm offers us a glimpse into the real lives of real people who are transgender. But it is only a glimpse. There are many stories to be told and Malcolm helps us make connections to our own stories, encouraging us to share them. That can seem daunting in a culture which has done more to heap shame on persons who identify as transgender. The good news of Malcolm's story is the way in which shame and fear are overcome by grace, compassion and knowledge. Viewers cannot help but come to a deeper understanding of faith, love, and gender identity, and by doing so, arrive at a deeper understanding of their own journey.