Silvio Muccino

Giuseppe Sanfelice

Giulia Louise Steigerwalt

Giulia Carmignani

Caterina Silva

Teenage problems intertwine during the occupation of a high school in Rome. Silvio—much like his peers desperate to lose his virginity—wants to make his move on the girl he likes, despite her being already his friend's girlfriend and not knowing that her best friend harbors feelings for him—while clashing also with his parents, onetime Sixties radicals who look down on the kids' aimless political commitment.

Koji runs a second-hand bookstore. He likes female drummer Ichihana, but, suddenly, female high school student Misaki appears in front of him and keeps confesses her feelings for him.

Frau Emma Küsters prepares dinner late one seemingly-ordinary afternoon in her seemingly-ordinary Frankfurt kitchen. She wants to add canned sausages to the stew; her irritating daughter-in-law thinks otherwise. But the point is moot: Ernst Küsters has not only murdered the personnel director at the soap factory where he's employed but succeeded that by committing suicide.

Can 3 young girls grow closely through the bittersweet journey of womanhood?

Coming Through the Rye, set in 1969, is a touching coming of age story of sensitive, 16 year old Jamie Schwartz, who is not the most popular kid at his all boys' boarding school. Disconnected from students and teachers, he believes he is destined to play Holden Caulfield, the main character of The Catcher in the Rye, and has adapted the book as a play.

Marlon is visiting her mother in jail for the first time since her imprisonment.

A young boy wrestles with a deepening sense of remorse after the sudden disappearance of his friend. When those close to him begin to question his involvement, he is forced to make a life-altering choice. Themes of friendship, guilt, and redemption are examined against the backdrop of a scorching summer in the rural South.

Teenaged Beata, disgusted with hypocrisy around her, runs away from home.

Xe and Y cross paths by chance at the door of a café, in a meeting that feels as if it were written by fate. Between them, something is born that is as fleeting as it is universal — that rare instant when we recognize someone even before knowing who they are. Revois follows this encounter that could belong to any of us and that, perhaps — just perhaps — asks to happen again.”