Good night, Sarajevo is the story of a voice. The voice of the Bosnian journalist Boban Minic and Radio Sarajevo during the siege of his city in the Bosnian War . A voice that night after night moved its listeners away from the brutality. Today, guided by a new mission, Minic, returns to Sarajevo.

Winter 2019. Spanish war photographer Gervasio Sánchez, who documented with his camera the long and tragic siege of Sarajevo during the Bosnian War (1992-95), returns to the city in search of the children he met among the ruins, those who survived to grow up, live and remember.

A personal interpretation of the blockade of Bosnia and Herzegovina's capital.

While new, monster housings are being erected, people grow a small farm in their vicinity. Soon the bulldozers come and ransack it.

Sarajevolution is a project born in 2011 with the aim of exploring the cultural life of today Sarajevo. The film gives voice to the places of culture and to the people who animate them. The stories of Sarajevo’s libraries, museums and theatres intertwine with those of the inhabitants of the city, reflecting all the contradictions which characterize the social and economic context of the country.

A hotel in the centre of town is a war-time home and refuge for many of Sarajevo's homeless people. Every morning they leave the hotel and wander around the destroyed city gathering again at the defunct hotel in the afternoon. This film follows their separate fates through the bitter comparing of images of the bums with those of dogs abandoned by their owners and now left et the mercy of the war ravaged streets of Sarajevo.

Experimental filmmaker Selma Doborac presents a radical and uncompromising essay on the impossibility of depicting the atrocities of war through insightful subtitles and meditative footage of abandoned structures that belong to the present as well as to the past.

The inhabitants trapped in Sarajevo during the Yugoslavian War made an amateur video calling for a time machine to get them out of the city. Simultaneous translation is used to bring this call out of the past and into the present.

In september 2017 Samira comes from Iran to Sarajevo, BH for the first time to shoot a documentary. She tries to connect with the country and people. In order to find people who traveled from far places like her, she attempts to visit a refugee center, but all she finds are closed gates as she isn't allowed to see anyone.