Achdé

Marc du Pontavice

Garance Thénault

Documentary on the Belgian comic book series.

Documentary about "New Square", a group of young cartoonists from Zagreb who mainly gathered around the weekly paper Sloga in the second half of the 1970s. The authors Radovan Devlić (1950-2000), Krešimir Skozret (1951-) Joško Marušić (1952-), Mirko Ilić (1956-), Krešimir Zimonić (1956-) and Igor Kordej (1957-) introduced graphic innovations that raised the general interest in the Croatian comic art.

From the magic potion to the chemical composition of the worldwide success of Asterix, the film will tell of the genesis of the work, the creative complicity between Uderzo and Goscinny as well as behind the scenes anecdotes.

Far beyond Marvel and DC, comics are also made by Brazilians for Brazilians. Follow the journey and struggles of those who are from the outskirts of the city and try to make a living from this art.

Dan Larsen takes on the challenge of creating a 24-page comic book in 24 hours.

The career of French comic author René Goscinny was a living blend of cultures and an expression of the great importance this artist attached to the production and dissemination of sophisticated popular culture. Goscinny left behind an extremely extensive body of work: "Asterix", "Lucky Luke", "Isnogud", "Little Nick" and many more.

Charissa King O'Brien's intimate short documentary captures this pivotal collaboration between two influential artists, as world-renowned painter Riva Lehrer completes a compelling portrait of Alison Bechdel ("Dykes to Watch Out For," "Are You My Mother," "Fun Home") over the course of two years, yielding a highly satisfying work of psychological insight

Aleksandar Zograf, a renowned cartoonist discovers an unusual comic book from World War II. The comic’s hero is Kaktus Kid – a small cactus trapped in his pot. Intrigued, Zograf investigates into the life of Kaktus Kid’s creator – little known artist Veljko Kockar. He soon discovers that Kockar was arrested just after the liberation of Belgrade in 1944. He was charged for being a Gestapo agent and executed. Zograf’s investigation reveals a far more complex story: Kockar’s identity and artistic works were stolen, he possibly has an affair with the girlfriend of a guerilla soldier and he drew anti-communist propaganda for the Nazis. As he explores the story and pieces together the scraps of evidence 70 years after it happened Zograf is faced with his own personal and artistic dilemmas: why do these little drawings have such power to give consolation but also lead to violence?