Predrag 'Miki' Manojlović

Carlo Ljubek

Hristo Mutafchiev

Ana Papadopulu

Lyudmila Cheshmedzhieva

The story of Alex, who, with the help of his charismatic grandfather, embarks on a journey in search of his real self.

Maysa unfolds over a single afternoon as a young woman and her stoic middle eastern mother navigate the quiet tension of a long-held silence. As memories of migration and girlhood surface in fractured flashbacks, their unspoken history begins to unravel. A tender, restrained portrait of love, resilience, and the things women carry - even when they no longer have to.

Lori, a Syrian-Armenian girl living in Armenia, believes her father is taking her on a summer trip. When she learns that her family is really leaving Armenia after already fleeing the war in Syria, she tries whatever she can to stay in a place that has great meaning for her.

When Pak Tin Estate is going to be demolished, the residents will move to a new place, but how about the dead residents? Where could they go? Ho Ying-kuen who majors in Myth and Poetry, and Playwriting, leads us to a time and space of a demolishing public estate. We will come across the residents of the estate, a mother with her two sons selling incenses, and two monkeys having conversation about their mother. A mixture of fiction, experimental and documentary images, Lost Cemeteries studies about filial piety and death with a strange and interesting approach.

The film tells the story of Imri, who at 19 goes to live in Tel Aviv, but dreams of moving to Japan. Through his relationships and encounters and in diverse cinematic tools, we are introduced to the young person’s life. An exploration of living in the exotic city of Tel Aviv is presented through a hero who are themselves in the midst of exploring his own choice of an exotic place. A unique correlation is formed between the hero’s misconception of Japan and ours of them. The movie was constructed by both improvised and pre-scripted scenes, as required by the nature of each scene. (Source: Filmmaker Website)

A man and a woman in Lagos want to escape their everyday lives, but extricating themselves is no easy task. Two stories narrated with tenderness and restraint that only fleetingly touch, the dream of migrating to Europe floating above them all the while.

Old home videos and wandering voice recordings trace the quiet unraveling of the relationship between a father and his daughter shaped by migration and years of separation.

ADRIFT- People of a Lesser God is the story of an incredible odyssey made by several-times Pulitzer Prize-nominated undercover reporter Dominique C. Mollard. In this gripping story, Mollard sails with 38 African migrants, among them a five-month-old baby, out of West Africa on a quest to reach the golden shores of Europe. All aboard are packed together like sardines in a leaky fishing canoe as they set off under full moon on their harrowing journey. ADRIFT-People of a Lesser God captures the struggle of these desperate migrants as they brave their way across the cold Atlantic, risking their lives in search for a better future.  —Ziad H. Hamzeh

LEI and WONG clandestinely arrive to Ecuador, on their way to the port city of Guayaquil. From here LEI plans to continue her journey to New York, but CHANG, a bipolar mobster will decide her fate. WONG unwillingly gets entangled in the web of corruption that operates the encroachment of Chinese immigrants. His only objective is to bring his twelve-year-old son from China.