Amani Ballour

Salim Namour

Deep beneath the surface in the Syrian province of Ghouta, a group of female doctors have established an underground field hospital. Under the supervision of paediatrician Dr. Amani and her staff of doctors and nurses, hope is restored for some of the thousands of children and civilian victims of the ruthless Syrian civil war.

A German Documentary about the “village of friendship” that was created by American Veteran George Mizo to help the Vietnamese kids suffering from the Vietnam War.

Having emerged from an 11-year civil war that left more than 50,000 people dead and two million displaced, Sierra Leone strives for a peaceful and democratic future. Since the end of conflict in 2002, the people of Sierra Leone have strived to build a democratic and peaceful society. The path remains difficult, with poverty entrenched, yet signs of progress, too often ignored by the international media, can also be found. Sierra Leone has held two consecutive democratic elections, and women and young people have taken the lead in creating an engaged civil society. This short film documents the progress Sierra Leone has made since the end of its brutal civil war and the hope of a new generation for creating a more just society.

On the border of Surinam and French Guyana, indigenous Wayana territory is overrun by intruders. Illegal gold miners poison the river, missionaries repress indigenous identity, and even doctors with the best intentions leave marks that are often silently violent. The Wayana call these intruders Parasisi.

Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.

Shots of pre-war Rotterdam, both the city and the port.

Americans refused to be drafted from the concentration camp at Heart Mountain, Wyoming. Ready to fight, but not before their rights as U.S. citizens were restored and families released.

Survivor Abduweli flees a Chinese Uyghur internment camp to Norway. Now, heading to Germany to confront a past torturer, his daughter’s panic attack forces a choice: exposing Uyghur genocide for the world, or shielding his family from painful memories.

Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi &amp; Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.