Harmonies de Paris, restored by the Cinémathèque Française in the 1990s, was shot entirely on panchromatic film and was meant to be a documentary tour of Paris in thirteen thematic chapters. The subject is a tourist group arriving in the French capital by airplane, which explains the many shots of monuments and other canonical places.

Venerable storytellers recount for the camera and their listeners the founding myths of Malagasy culture.

Horses have been part of daily life for generations in the deprived Dublin suburb of Ballymun – and for 17-year-old Lorna and her family too. Her unemployed father finds structure and purpose in daily life by caring for his horses, while her sick mother wistfully remembers the days when she used to turn heads as she galloped through the town. These days it's Lorna who likes to spend all her free time in the stable or riding Bigfoot, her horse.

In the minutes that it takes for a day to lose itself to darkness, we see a house that has suddenly become empty. It is the home of Maria, who has recently passed, and who has left her mark in every corner of every room. A portrait of absence is also an attempt to resurrect the dead, perhaps even a moment of magical thinking. The winter outside is well settled, snow accompanies each thought. Based on a poem by Zofia Bohdanowiczowa.

Filmed clandestinely, Zauberman’s extraordinary documentary exposes South Africa’s insidious apartheid policy of “race classification” by focusing on the love affair of Robert and Doris, and unresolvable, moral fissure with Robert’s children and the country. Winner of the Paris Film Festival Grand Prize.

Tells the true story of one woman's quest to help two elephant landmine survivors-Motala and Baby Mosha-walk on their own four legs.