Florian Wormser

Yadegar Asisi

Adrien Moser

Dominik Bartmann

Jean-Pierre Klein

The end of the Franco-Prussian war (1870-71) saw the birth of the panoramas of war, huge circular paintings depicting scenes of war, cruelty and desolation that were contemplated by thousands of spectators, a kind of inmersive static newsreels, a mass media prior to the era of mass media, a virtual reality on canvas.

The true story of the frightening, lonely world of silence and darkness of 7-year-old Helen Keller who, since infancy, has never seen the sky, heard her mother's voice or expressed her innermost feelings. Then Annie Sullivan, a 20-year-old teacher from Boston, arrives. Having just recently regained her own sight, the no-nonsense Annie reaches out to Helen through the power of touch, the only tool they have in common, and leads her bold pupil on a miraculous journey from fear and isolation to happiness and light.

The story of the romance between the King of Siam (now Thailand) and the widowed British school teacher Anna Leonowens during the 1860s. Anna teaches the children and becomes romanced by the King. She convinces him that a man can be loved by just one woman.

A biopic about British philosopher and logician Bertrand Russell, who won the Nobel Prize in Literature in 1950 for his varied and significant writings championing humanitarian ideals and freedom of thought.

Actuality film.  Late 19th century General Officer ranks and higher cross to a ship over a gangplank. As VIPs they meet some people which we don't get to see, then cross back again, getting caught in a crowd melée at the top of the stairs from the quayside.

4 horse drawn fire brigade carts pull out from Newcastle fire station in the UK as part of a filmed demonstration

A Victorian surgeon rescues a heavily disfigured man being mistreated by his "owner" as a side-show freak. Behind his monstrous façade, there is revealed a person of great intelligence and sensitivity. Based on the true story of Joseph Merrick (called John Merrick in the film), a severely deformed man in 19th century London.

When World War II broke out, John Ford, in his forties, commissioned in the Naval Reserve, was put in charge of the Field Photographic Unit by Bill Donavan, director of the soon-to-be-OSS. During the war, Field Photo made at least 87 documentaries, many with Ford's signature attention to heroism and loss, and many from the point of view of the fighting soldier and sailor. Talking heads discuss Ford's life and personality, the ways that the war gave him fulfillment, and the ways that his war films embodied the same values and conflicts that his Hollywood films did. Among the films profiled are "Battle of Midway," "Torpedo Squadron," "Sexual Hygiene," and "December 7."