Clarence Nash

Donald is courting Daisy (called Donna, here in her first appearance) Duck in Mexico. He arrives on a burro, which doesn't get along at all well with her; she convinces him to buy a car. They head through the desert, but the car breaks down, and throws Donald out, then takes off on its own with Daisy trapped inside the rumble seat. The car hits a rock, throwing Daisy into a mud puddle, to Donald's excessive amusement. Daisy pulls a unicycle from her purse, and rides off.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

This family story contains a private reading of ten years in the history of Spain, from the birth of two brothers of the author until the death of the Spanish dictator in 1975.

Efil Cisó, young heir to the prestigious family of Bouclette’s barbers decides that he doesn’t want to continue with the family tradition and wants to pursue his dream of being a baker.

A man entranced by his dreams and imagination is lovestruck with a French woman and feels he can show her his world.

A short film dedicated to old classics of south Indian films. Raju and Seema fall in love, but a twist in Dinesh (Raju's friend) life changes all their lives. A classic plot point explored and presented by many film makers back in those days.

Two strangers meet at a train station on the day of an LGBT march. Their conversation drifts from topic to topic, as they flirt, argue, do small talk, and eventually share their secrets and loves.

She is a very organized woman. She wrote everything down on excel sheets. Absolutely everything.

Yoon-hye likes Da-joo more than just as a friend but denies her feelings for the sake of their friendship. After some events following Da-joo being introduced to a boy, Yoon-hye is not able to hide her emotions anymore.