While new, monster housings are being erected, people grow a small farm in their vicinity. Soon the bulldozers come and ransack it.

It shows the Neretva river from its source to the shores of the Adriatic Sea. The document also captures the original four-hundred-year-old bridge in Mostar.

Taking its lead from French artists like Renoir and Monet, the American impressionist movement followed its own path which over a forty-year period reveals as much about America as a nation as it does about its art as a creative power-house. It’s a story closely tied to a love of gardens and a desire to preserve nature in a rapidly urbanizing nation. Travelling to studios, gardens and iconic locations throughout the United States, UK and France, this mesmerising film is a feast for the eyes.  The Artist’s Garden: American Impressionism features the sell-out exhibition The Artist’s Garden: American Impressionism and the Garden Movement, 1887–1920 that began at the Pennsylvania Academy of the Fine Arts and ended at the Florence Griswold Museum, Old Lyme, Connecticut.

the Gardens at Hidcote Manor, Mottisfont Abbey, Sissinghurst Castle  With a cameo appearance by Nigel Nicolson  Why did American-born Major Lawrence Johnston spend much of his lifetime creating a storied garden in a remote part of the Cotswolds? What is Graham Stuart Thomas's glorious collection of antique roses doing in a medieval English Abbey? What persuaded author, poet and plantswoman Vita Sackville-West and her husband Harold Nicolson to buy a derelict ruin on the edge of the Kentish Weald to create their fabled garden? Their son, Nigel Nicolson, reminisces about this most beloved of gardens and his now legendary parents.  An extensive tour of each garden examines design, plantings, close-up details, and observations by gardeners. An hour of sheer enjoyment, beauty, and an excellent source of inspiration for those with a love for gardens.

Japanese gardens have long captivated people around the world. This program follows the master gardeners chasing perfection at the Adachi Museum of Art and the Katsura Imperial Villa.

4 hectares of ground are the gardens that surround the Calouste Gulbenkian Foundation in Lisbon. Throughout one year João Vladimiro’s camera follows the work of landscape architect Gonçalo Ribeiro Telles, commissioned by the Calouste Gulbenkian Foundation. “I know that the trees don’t have eyes, that the water doesn’t have a mouth, and that stones don’t have ears. Still, we communicate. In this particular garden, long mute talks take place, like the two elders that, through their sheer presence, talk to each other about calmness, comfort and sadness.”, says director Vladimiro, whose patient camera eye pays attention to the smallest events.

Marija grew up in a family that lives Yugoslav ideals even today. Given that Marija and her family are of Serbian origin, who continued to live in Croatia, regardless of the pressures of the recent war, the Yugoslav identity is the one they felt closest to. She had always felt that her family's ideals were her own, until her life path turned her in a different direction. When she founded her own family with her husband, she began to question her parents' and grandparents' values, as well as her own, and if that was the environment in which she wanted to raise her son. Within a journey through the family history, Marija opts for a "new beginning" in a totally different environment and sets up a new home - in Sweden. This film is a story about growing up, separation from the nest, and accepting one's own value system, and how to get there, in the atmosphere of a stable and loving family.

Godina was ordered to make a short film glorifying the army, but instead made a film about making love, not war. The censors hacked it up, but he managed to save one complete copy.

The early retired Gert spends the last summer in his garden, a place that has become a real home for him. The garden will be demolished to create a shopping center on its grounds. The only thing Gert can do is remember memories of happy times he spent with his family in the garden.