Tomoko Machida

Shinya Tanaka

Juken Kawashima

Akihide Shiroyama

This independent film follows the actions and inner thoughts of four unusual individuals as they go about their lives in Tokyo, occasionally meeting up with one another. Their thoughts tend to focus on questions of death, existence, and the conflict of society against the individual. All of the action is performed silently, with narration dubbed over.

A story of a group of humanoid rabbits and their depressive, daily life. The plot includes Suzie ironing, Jane sitting on a couch, Jack walking in and out of the apartment, and the occasional solo singing number by Suzie or Jane. At one point the rabbits also make contact with their “leader”.

An experimental short film that evokes moments in the life of a man recreated through the magic of memory. Made from documents from various sources, this film is composed of several scenes: the stages of the day and of life between joy and carefree youth, the cruelty of the working world, the horror of war. The final result is put into perspective with the birth of a child, perpetuating the cycle of life.

Things become shrouded when The Loner discovers a dead body outside his home. His mind becomes a prison of contradiction, falsification and fear when a series of dreams push him to realize the truth.

A man faces a life-changing decision to make; one of the two choices that could make a huge impact to his life.

Kristl was a member of the prestigious Zagreb Studio of Animation and his early works as painter and filmmaker had brought him instant acclaim and instant censorship. He fled Croatia and lived in Germany; he died there in 2004. Poor People, a “collective scream” of Cold War fear, was produced just after he left his country.

Countess Mitsuko Maria Thekla Coudenhove-Kalergi was the first Japanese female to come to Europe at the turn of the 19th century. She lived mostly in the area of the Bavarian border and administered the Poběžovice Castle, an estate of her deceased husband, Count Heinrich Coudenhove-Kalergi. She was a strong and well educated woman, never left by the nostalgia for her home. The film is loosely inspired by historical sources, relying on the unique imagination of Mark Ther and his proven feel for the narrative of the untold.