Bernard Adode

Alhaji Ali

Brume Benson

Femi Branch

Uru Eke

Andrew, a dance teacher is struggling to keep his dance studio afloat. Along comes Catherine, who enrolls for some of his classes but brings along a lot of baggage. He is prepositioned by Catherine’s husband to begin an illicit affair with her for a fee. Andrew is torn between accepting the offer or listening to his conscience that tells him not to.

A young girl leaves her Nigerian village to attend a ballet school in England. Fascinated by Tchaikovsky's Swan Lake, she dreams of performing as lead ballerina Princess Odette, but the girls in her close-minded ballet school mock her ideas of a 'black swan'.

A group of young Nigerian friends living in Italy travels to Rome to watch a UEFA soccer match. For Eby this is the opportunity to see Nike, a girl he met only a while ago.

Some con artists come together to work on stealing a huge sum of money as failure with the operation puts their lives in the way. The mission leads to betrayal, friendship and true love.

Navy SEAL Lieutenant A.K. Waters and his elite squadron of tactical specialists are forced to choose between their duty and their humanity, between following orders by ignoring the conflict that surrounds them, or finding the courage to follow their conscience and protect a group of innocent refugees. When the democratic government of Nigeria collapses and the country is taken over by a ruthless military dictator, Waters, a fiercely loyal and hardened veteran is dispatched on a routine mission to retrieve a Doctors Without Borders physician.

"Razakar" is a period drama set in pre-Bangladesh-separation Pakistan, exploring the political tensions of the time. The story follows Jamal, an aspiring Bengali actor, as he grapples with the challenges posed by his uncompromising director, mirroring the larger socio-political conflicts unfolding around them. Through personal struggles and political subtext, the film raises poignant questions about identity and division.

Juju Stories tackles juju in contemporary Lagos through three stories. In Love Potion, by Omonua, an unmarried woman agrees to use juju to find herself an ideal mate. In Yam, by Makama, consequences arise when a street urchin picks up seemingly random money from the roadside. In Suffer the Witch, by Obasi, love and friendship turns into obsession, when a young college woman attracts her crush's interest.

Phyllis is a moving and atmospheric portrait of a ‘psychic’ vampire, a woman obsessed with synthetic Nollywood dramas, that lives alone in Lagos, Nigeria. The central idea of this short experimental film is the practise and significance of wig-wearing in Nollywood film; a practise the director has invested with deeper psychological as well as science-fiction layers. Underpinning this central idea however is a critique of the unforgiving treatment of single women in Nollywood and Nigeria. The film is an example of what the director, Zina Saro-Wiwa, has termed “alt-Nollywood”, a genre that plays with and reworks certain narrative, stylistic and visual conventions of Nollywood. Phyllis explores the gothic possibilities of the Nollywood aesthetic creating a new kind of low-budget atmospheric film that is very much of Nollywood and yet subverts the genre. Using Nollywood to subvert Nollywood.

Anya's dream turned into a nightmare when she was accused of killing 3 men. For her to regain her freedom she had to share her secret with world. With help of her sister Chioma and an inexperienced attorney Ijé tells the story in a riveting way with an unexpected climatic ending. It's a story that conveys the fusion of the African culture with the American culture in a court room like no other.