Jorge Mota

Times are changing. A mysterious red dust has brought disease and destruction. Only the sheep remain healthy. As they become the only source of food and clothing, humans treat them like gods. But times, they keep changing. A dystopian tale brought to life in stop motion.

This family story contains a private reading of ten years in the history of Spain, from the birth of two brothers of the author until the death of the Spanish dictator in 1975.

Efil Cisó, young heir to the prestigious family of Bouclette’s barbers decides that he doesn’t want to continue with the family tradition and wants to pursue his dream of being a baker.

Devi lives alone in a bunker with one precious window to the war-ravaged world outside. One day, Devi hears a sound outside her window, and she sees a real live person for the first time. It's a woman named M, the leader of a group of Outsiders, vagabonds and outcasts.

Humanity no longer exists, only Fluor and Carlix, two ghosts in sportswear, remain. They wander among the remains of an extinct civilization, one in search of a Wi-Fi connection, the other in search of the head of a giant cetacean. A story of encounter and friendship, punctuated by an ultimate playlist : that of the end of the world.

Rosa is a hard working Latina student, toiling tirelessly to build a powerful rocket. However, her life is flipped upside down when she suddenly loses the grant to her research, and is thrust into a fight for her life.

Two men sit on an island watching the sunset. When a storm gathers, they decide to build a boat. While one man is mindful of the coming danger and urges speed, the other wastes his time on decorative details. Dammbeck’s last film made in the GDR before he left for West Germany is based on a Chinese fable, with music by internationally known jazz musician Günter “Baby” Sommer.

For the multimedia exhibition Tangenten I (Tangents I), Dammbeck and co-organizer, sculptor and painter Frieder Heinze had planned to collaborate on a film that would combine non-camera animation with 35mm footage of a train ride between the two Dresden districts of Radebeul and Pieschen. When the exhibition was banned in 1978, Heinze turned to other projects, but Dammbeck continued working on the film by himself. Metamorphoses I—the first experimental film ever to be shown publicly in East Germany—marks the filmic beginning of Dammbeck’s long-term art project the Herakles-Konzept (Hercules Concept).

The festive citizens of the Kingdom of Frogs crowd into an arena to watch their warriors engage in hand-to-hand combat and to see Tountia and her musicians perform an enchanting concert.