Elismaura Pereira dos Santos

Elitom Pereira de Andrade Marcelino

Elisabeth Pereira de Andrade Marcelino

Elton Pereira de Andrade Marcelino

Esthefany Pereira de Andrade Marcelino

Maura is a black woman, mother of 7 children and recyclable material collector in one of the largest  cities in Latin America. While she works hard to maintain herself, she has to deal with prejudice,  invisibility and the ignorance of those who do not recognize the value and important role of the  recyclable material collector bring to the city, as an environmental agent.

As a centuries-old black community, contaminated and uprooted by petrochemical plants, comes to terms with the loss of its ancestral home, one man standing in the way of a plant's expansion refuses to give up.

The film discusses the various uses of land for producing food, clothing, and shelter. It explains how different types of land are cultivated for growing crops, raising livestock, and sourcing raw materials for clothing like cotton, wool, and leather. The film also covers the extraction of resources for building materials, such as lumber, clay, stone, and iron ore. Additionally, it touches on the production of plastics and synthetic materials from minerals. The film emphasizes the importance of making wise decisions in land use, balancing agricultural, industrial, and recreational needs, and the necessity of conserving land for its natural beauty and environmental value.

The Other Side of Fear signifies the actions which incite religious violence and broaden the divide of cultural and moral beliefs in society. The film shadows two clashing perspectives both of which are searching for safety in their own communities and these perspectives blend testimonies of trauma and manifestos of power. By using poetic documentation, the director acknowledges that there are more than two sides to every story and intertwines these sentiments, embodiments and experiences into one journey to understand what is happening behind the doors of communities the other hasn’t experienced.

When the water in her small Mexican town proves to be radioactive, a young mom suddenly finds herself leading a local resistance movement. Her life is upended when she has to face a powerful and corrupt government hellbent on burying the truth.

Anita Chitaya has a gift: she can help bring abundant food from dead soil, she can make men fight for gender equality, and maybe she can end child hunger in her village. Now, to save her home in Malawi from extreme weather, she faces her greatest challenge: persuading Americans that climate change is real. Traveling from Malawi to California to the White House, she meets climate sceptics and despairing farmers. Her journey takes her across all the divisions that shape the USA: from the rural-urban divide, to schisms of race, class and gender, and to the American exceptionalism that remains a part of the culture. It will take all her skill and experience to help Americans recognise, and free themselves from, a logic that is already destroying the Earth.

A new uranium mill -- the first in the U.S. in 30 years -- would re-connect the economically devastated rural mining community of Naturita, Colorado, to its proud history supplying the material for the first atomic bomb. Some view it as a greener energy source freeing America from its dependence on foreign oil, while others worry about the severe health and environmental consequences of the last uranium boom.

An award-winning short exploring man-made impacts on New Zealand’s water cycle.

The environmental problems caused by fracking in America have been well publicized but what's less known are the gas industry's plans for expansion in other countries. This investigation, filmed in Botswana, South Africa and North America, reveals how gas companies are quietly invading some of the most protected places on the planet.